Beyond the “Muslim Bridget Jones”: An interview with Ayisha Malik

British Muslim author Ayisha Malik has gained prominence since her literary debut, 2015’s Sofia Khan is Not Obliged , a chick lit-esque work that positioned its central character as a “Muslim Bridget Jones”. Malik’s works – particularly the trio of “Sofia Khan” works – arguably catalysed the wave of romantic fictional works by Muslim British, Black British, and Asian British authors in the decade that followed; for example, Black British author Candice Carty-Williams similarly marketed the titular protagonist of her 2019 debut Queenie as a “Black Bridget Jones”. In this interview, Malik discusses what has influenced her as an author, expanding on genre, discrimination, and exclusion. She discusses the themes of each of her works, and her thoughts on the position of Black British, Asian British, and Muslim British authors in the present-day publishing industry in Britain.

Authors

Institutions

Publication Details

Journal
Literature, critique, and empire today.
Published
2026-08-20
DOI
https://doi.org/10.1177/30333962261466421
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Beyond the “Muslim Bridget Jones”: An interview with Ayisha Malik

Irene Pérez Fernández, Amy; id_orcid 0000-0003-3702-7779 Burge
Literature, critique, and empire today.
Postcolonial and Cultural Literary Studies
article

Beyond the “Muslim Bridget Jones”: An interview with Ayisha Malik

Irene Pérez Fernández, Amy; id_orcid 0000-0003-3702-7779 Burge
article en

Abstract

British Muslim author Ayisha Malik has gained prominence since her literary debut, 2015’s Sofia Khan is Not Obliged , a chick lit-esque work that positioned its central character as a “Muslim Bridget Jones”. Malik’s works – particularly the trio of “Sofia Khan” works – arguably catalysed the wave of romantic fictional works by Muslim British, Black British, and Asian British authors in the decade that followed; for example, Black British author Candice Carty-Williams similarly marketed the titular protagonist of her 2019 debut Queenie as a “Black Bridget Jones”. In this interview, Malik discusses what has influenced her as an author, expanding on genre, discrimination, and exclusion. She discusses the themes of each of her works, and her thoughts on the position of Black British, Asian British, and Muslim British authors in the present-day publishing industry in Britain.

Literature, critique, and empire today.
Universidad de Oviedo (ES), University of Birmingham (GB)
Reduced inequalities
Openalex Percentile: Top 45%
Postcolonial and Cultural Literary Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.