Review of Marcy Meyer’s Iconographic Research Poetry

In her recently published book, Iconographic Research Poetry, American researcher Marcy Meyer (2024) showcases the resonant power of metaphor by creating research poetry in/with concrete images: a tree, a juggler, a rollercoaster, a crow, a gourd. Meyer’s work shows the way in which shaped lines can echo the poem’s theme, to concentrate poetry’s power. Her work is characterised by a boldness in writing from emergence, from scenes and moments, from the way in which indigo ravens watched as she rode her bike home. Her work shows how to write ekphrasis poetry in response to epiphanies within the ordinary. She also depicts poetic writing as a collaborative conversation, in being able to offer back the poems to the maker of the object which inspired them. In this review, I also offer back some of Meyer’s own words in three found poems. Meyer’s work provides an accessible door into research poetry. It may encourage other researchers, educators, novices, and students to find their way there.

Authors

Institutions

Publication Details

Journal
Art/Research International A Transdisciplinary Journal
Published
2026-05-11
DOI
https://doi.org/10.18432/ari29898
Primary Topic
Artistic and Creative Research
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Review of Marcy Meyer’s Iconographic Research Poetry

Sarah Penwarden
Art/Research International A Transdisciplinary Journal
Artistic and Creative Research
article

Review of Marcy Meyer’s Iconographic Research Poetry

Sarah Penwarden
article en

Abstract

In her recently published book, Iconographic Research Poetry, American researcher Marcy Meyer (2024) showcases the resonant power of metaphor by creating research poetry in/with concrete images: a tree, a juggler, a rollercoaster, a crow, a gourd. Meyer’s work shows the way in which shaped lines can echo the poem’s theme, to concentrate poetry’s power. Her work is characterised by a boldness in writing from emergence, from scenes and moments, from the way in which indigo ravens watched as she rode her bike home. Her work shows how to write ekphrasis poetry in response to epiphanies within the ordinary. She also depicts poetic writing as a collaborative conversation, in being able to offer back the poems to the maker of the object which inspired them. In this review, I also offer back some of Meyer’s own words in three found poems. Meyer’s work provides an accessible door into research poetry. It may encourage other researchers, educators, novices, and students to find their way there.

Art/Research International A Transdisciplinary JournalVol. 10(1)
Laidlaw College (NZ)
Quality Education
Openalex Percentile: Top 3%
Artistic and Creative Research
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.