Allegorical Mise en Scene Between Pilate and the Prophet

The article discusses the contexts and frames of presenting the film Pilate and Others directed by Andrzej Wajda by introducing intermedia tools for analysis and interpretation, especially its symbolic overtones. In Mieke Bal’s theoretical perspective, mise-en-scène is comprehended as a theatrical metaphor describing the staging of a visual narrative in between the contexts. The focus shifts from the contexts of Wajda’s film to the visuals that open the flashback and futuroscope, which accompany and interweave the main narrative. With the figure of “transposition” in mind, our concern is to analyze the literary and cultural contexts in the new staging of the urban environment. The main plot focuses on the martyrdom of Yeshua Ha-Nocri expressed in an allegorizing manner.