Analogising Art Practice as Gameplay

While video games are undeniably informed by the cultural and artistic traditions that precede them, this article outlines how video games can inform contemporary painting by discussing how a practice-led integration of video games that analogises art practice as gameplay can facilitate a pluralistic approach to storytelling. The story explored here was informed by my reflections on prior encounters of cross-cultural collaboration as informed by a dialogic approach to difference. Further, through a dialogic perspective that challenges oppositional thinking, the material and digital are positioned together at an intersection explored through painting-led dialogue. The article explores how integration and intersection are effective sources of creativity and a practical approach to challenging a practitioner’s familiar ways of thinking and making. I aim to encourage other practitioners to critically reflect on their influences to explore their own unique integrations.

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Publication Details

Journal
Art/Research International A Transdisciplinary Journal
Published
2026-05-11
DOI
https://doi.org/10.18432/ari29833
Primary Topic
Art Education and Development
Type
article
Field-Weighted Citation Impact
0.00
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article

Analogising Art Practice as Gameplay

Harrison W. See
Art/Research International A Transdisciplinary Journal
Art Education and Development
article

Analogising Art Practice as Gameplay

Harrison W. See
article en

Abstract

While video games are undeniably informed by the cultural and artistic traditions that precede them, this article outlines how video games can inform contemporary painting by discussing how a practice-led integration of video games that analogises art practice as gameplay can facilitate a pluralistic approach to storytelling. The story explored here was informed by my reflections on prior encounters of cross-cultural collaboration as informed by a dialogic approach to difference. Further, through a dialogic perspective that challenges oppositional thinking, the material and digital are positioned together at an intersection explored through painting-led dialogue. The article explores how integration and intersection are effective sources of creativity and a practical approach to challenging a practitioner’s familiar ways of thinking and making. I aim to encourage other practitioners to critically reflect on their influences to explore their own unique integrations.

Art/Research International A Transdisciplinary JournalVol. 10(1)
Edith Cowan University (AU)
Reduced inequalities
Openalex Percentile: Top 4%
Art Education and Development
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