LINGUISTIC PORTRAIT OF THE 'SUPERFLUOUS PERSON': HOW MARKER WORDS (BOREDOM, MELANCHOLY, REFLECTION) FROM ONEGIN TO OBLOMOV AND WHAT THIS TELLS US ABOUT MODERN LITERATURE

The article examines the linguistic analysis of the "superfluous man" type in 19th-century Russian literature and its transformation within modern artistic discourse. The author considers this phenomenon not only as a socio-psychological phenomenon but also as a special linguistic model of the individual, manifesting through a stable system of lexical-semantic and syntactic markers.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-05-10
DOI
https://doi.org/10.5281/zenodo.20109423
Primary Topic
Discourse Analysis and Cultural Communication
Type
article
Field-Weighted Citation Impact
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article

LINGUISTIC PORTRAIT OF THE 'SUPERFLUOUS PERSON': HOW MARKER WORDS (BOREDOM, MELANCHOLY, REFLECTION) FROM ONEGIN TO OBLOMOV AND WHAT THIS TELLS US ABOUT MODERN LITERATURE

Dilnoza Boltayeva
Zenodo (CERN European Organization for Nuclear Research)
Discourse Analysis and Cultural Communication
article

LINGUISTIC PORTRAIT OF THE 'SUPERFLUOUS PERSON': HOW MARKER WORDS (BOREDOM, MELANCHOLY, REFLECTION) FROM ONEGIN TO OBLOMOV AND WHAT THIS TELLS US ABOUT MODERN LITERATURE

Dilnoza Boltayeva
article en

Abstract

The article examines the linguistic analysis of the "superfluous man" type in 19th-century Russian literature and its transformation within modern artistic discourse. The author considers this phenomenon not only as a socio-psychological phenomenon but also as a special linguistic model of the individual, manifesting through a stable system of lexical-semantic and syntactic markers.

Zenodo (CERN European Organization for Nuclear Research)
Bukhara State University (UZ)
Reduced inequalities
Openalex Percentile: Top 2%
Discourse Analysis and Cultural Communication
DOIOpen Access PDFOpenAlex
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