Symbolic Echoes of Conflict: Archetypal Patterns in Projective Drawing of Traumatized Children in Civil War-Torn Myanmar

Projective drawings are widely used in trauma-informed child assessment as non-verbal pathways into internal emotional states, particularly in contexts where verbal expression is limited. This paper synthesizes archetypal patterns observed in drawings by three children exposed to civil unrest in Myanmar, including the Fragmented Self, Hypervigilant Watcher, Absent Figure, Fortress, Aggressor, Displaced Journey, Silent Landscape, Protector Figure, Chaotic Scene, and Frozen Moment. Drawing on principles from Dialogic-Diagnostic Arts Therapies and Traumatized Behavioral Therapy (incorporating Trauma Psychology), the paper situates ten key archetypes within trauma responses, such as dissociation, hyperarousal, grief, and resilience. Emphasis is placed on culturally responsive and ethically grounded interpretation, cautioning against over-pathologizing imagery that may reflect lived realities of conflict, particularly within the context of the Myanmar civil war. The paper advocates for integrative assessment approaches combining visual analysis with narrative elicitation and developmental understanding.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-05-09
DOI
https://doi.org/10.5281/zenodo.20095766
Primary Topic
Art Therapy and Mental Health
Type
article
Field-Weighted Citation Impact
0.00
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article

Symbolic Echoes of Conflict: Archetypal Patterns in Projective Drawing of Traumatized Children in Civil War-Torn Myanmar

Madeline Foong Yee Wong, Kok Hwee Chia, Gideon Kap Cin Thang
Zenodo (CERN European Organization for Nuclear Research)
Art Therapy and Mental Health
article

Symbolic Echoes of Conflict: Archetypal Patterns in Projective Drawing of Traumatized Children in Civil War-Torn Myanmar

Madeline Foong Yee Wong, Kok Hwee Chia, Gideon Kap Cin Thang
article en

Abstract

Projective drawings are widely used in trauma-informed child assessment as non-verbal pathways into internal emotional states, particularly in contexts where verbal expression is limited. This paper synthesizes archetypal patterns observed in drawings by three children exposed to civil unrest in Myanmar, including the Fragmented Self, Hypervigilant Watcher, Absent Figure, Fortress, Aggressor, Displaced Journey, Silent Landscape, Protector Figure, Chaotic Scene, and Frozen Moment. Drawing on principles from Dialogic-Diagnostic Arts Therapies and Traumatized Behavioral Therapy (incorporating Trauma Psychology), the paper situates ten key archetypes within trauma responses, such as dissociation, hyperarousal, grief, and resilience. Emphasis is placed on culturally responsive and ethically grounded interpretation, cautioning against over-pathologizing imagery that may reflect lived realities of conflict, particularly within the context of the Myanmar civil war. The paper advocates for integrative assessment approaches combining visual analysis with narrative elicitation and developmental understanding.

Zenodo (CERN European Organization for Nuclear Research)
Ministry of Defence (GB), TCA College (SG), Open Society (CZ)
Openalex Percentile: Top 3%
Art Therapy and Mental Health
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