Exploring Complex Historical Figures through a Modified Critical Making Framework

Abstract This paper examines ‘critical making’ as a framework for exploring complex problems and topics. Critical making combines an iterative process of making with research, reflection and analysis. The authors present a modified critical making process that builds on the reflexive material engagement introduced by the originator of critical making, Matt Ratto and the more structured approach formulated by Garnet Hertz. To illustrate its application, we present a case study applying this adapted critical making model to investigate the contributions of two early female architects, Isabel Roberts and Marion Mahony Griffin. This case study employs a modified five‐phase approach that consists of research, ideation, further research, prototyping and reflection. We conclude that critical making fosters critical thinking and enables engagement with complex topics that are challenging to address with traditional research methods. Beyond a theoretical concept, practical opportunities are discussed for incorporating critical making into educational settings and scholarship.

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Publication Details

Journal
International Journal of Art & Design Education
Published
2026-05-09
DOI
https://doi.org/10.1111/jade.70029
Primary Topic
Architecture, Design, and Social History
Type
article
Field-Weighted Citation Impact
0.00
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article

Exploring Complex Historical Figures through a Modified Critical Making Framework

E. King, Jill Kraeger, Kailey Mikulencak
International Journal of Art & Design Education
Architecture, Design, and Social History
article

Exploring Complex Historical Figures through a Modified Critical Making Framework

E. King, Jill Kraeger, Kailey Mikulencak
article en

Abstract

Abstract This paper examines ‘critical making’ as a framework for exploring complex problems and topics. Critical making combines an iterative process of making with research, reflection and analysis. The authors present a modified critical making process that builds on the reflexive material engagement introduced by the originator of critical making, Matt Ratto and the more structured approach formulated by Garnet Hertz. To illustrate its application, we present a case study applying this adapted critical making model to investigate the contributions of two early female architects, Isabel Roberts and Marion Mahony Griffin. This case study employs a modified five‐phase approach that consists of research, ideation, further research, prototyping and reflection. We conclude that critical making fosters critical thinking and enables engagement with complex topics that are challenging to address with traditional research methods. Beyond a theoretical concept, practical opportunities are discussed for incorporating critical making into educational settings and scholarship.

International Journal of Art & Design Education
Baylor University (US)
Gender equality
Openalex Percentile: Top 4%
Architecture, Design, and Social History
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