More Than Background and Bodies

<p>Salome. Mary Magdalene. Bathsheba. Particularly in the Bible Belt of the United States, these names are synonymous with harlot, loose woman, or seductress. Sunday School lessons displayed these women on colorful flannel boards as a lesson to little boys and girls to flee from temptation, avoid evil, and (predominantly for girls) not to dress provocatively. Movies, songs, and plays have all depicted the perils of falling into sin to avoid becoming like these individuals, continuing to propagate their stories into the modern era. However, a biblical reading of these women does not support any of the aforementioned assumptions. These ladies, and numerous others in the Bible, were maligned largely because of artistic renderings that altered popular perception. Artists took liberties with their stories and, in turn, transformed the reputations of women who should have been viewed as victims and overcomers. This article investigates when and where those transformations occurred, how to resolve and redeem these stories, and explores an artist’s responsibility in the pursuit of truth.</p>

Authors

Institutions

Publication Details

Journal
The International Journal of the Arts in Society Annual Review
Published
2026-05-08
DOI
https://doi.org/10.18848/1833-1866/cgp/a905
Primary Topic
Mormonism, Religion, and History
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

More Than Background and Bodies

Amanda Chesnut
The International Journal of the Arts in Society Annual Review
Mormonism, Religion, and History
article

More Than Background and Bodies

Amanda Chesnut
article en

Abstract

<p>Salome. Mary Magdalene. Bathsheba. Particularly in the Bible Belt of the United States, these names are synonymous with harlot, loose woman, or seductress. Sunday School lessons displayed these women on colorful flannel boards as a lesson to little boys and girls to flee from temptation, avoid evil, and (predominantly for girls) not to dress provocatively. Movies, songs, and plays have all depicted the perils of falling into sin to avoid becoming like these individuals, continuing to propagate their stories into the modern era. However, a biblical reading of these women does not support any of the aforementioned assumptions. These ladies, and numerous others in the Bible, were maligned largely because of artistic renderings that altered popular perception. Artists took liberties with their stories and, in turn, transformed the reputations of women who should have been viewed as victims and overcomers. This article investigates when and where those transformations occurred, how to resolve and redeem these stories, and explores an artist’s responsibility in the pursuit of truth.</p>

The International Journal of the Arts in Society Annual Review
Wilson College (US)
Gender equality
Openalex Percentile: Top 2%
Mormonism, Religion, and History
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.