Plagiarism Detection in GAN-Generated Abstract Art: A Multi-Modal Semantic and Compositional Approach

This paper presents an interpretable multi-modal framework for screening potential plagiarism in GAN-generated abstract art. Because abstract works often resemble one another through palette, texture, rhythm, and massing rather than recognizable objects, single-metric or text-oriented plagiarism tools are insufficient. The proposed pipeline combines perceptual cues (MS-SSIM, color-distribution distances, Gram-matrix texture statistics, and edge topology), compositional cues (symmetry, balance, saliency spread, orientation entropy, and palette harmony), and semantic cues from CLIP and BLIP. Each channel is normalized, fused into a calibrated similarity score, and reported with uncertainty bounds and channel-level explanations. Using representative WikiArt-anchored cases and GAN-generated counterparts, the framework distinguishes probable derivation, stylistic influence, and independent creation more reliably than any isolated metric. The revised manuscript adds a consolidated related-work matrix, documented case provenance for A1–A5, illustrative output dossiers, and visual summaries of the comparative results. The method is intended as a transparent decision-support tool for scholarly, curatorial, and legal review rather than an automated adjudicator.

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Publication Details

Journal
American Journal of Art and Design
Published
2026-04-13
DOI
https://doi.org/10.11648/j.ajad.20261102.11
Primary Topic
Aesthetic Perception and Analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

Plagiarism Detection in GAN-Generated Abstract Art: A Multi-Modal Semantic and Compositional Approach

Byungkil Choi
American Journal of Art and Design
Aesthetic Perception and Analysis
article

Plagiarism Detection in GAN-Generated Abstract Art: A Multi-Modal Semantic and Compositional Approach

Byungkil Choi
article en

Abstract

This paper presents an interpretable multi-modal framework for screening potential plagiarism in GAN-generated abstract art. Because abstract works often resemble one another through palette, texture, rhythm, and massing rather than recognizable objects, single-metric or text-oriented plagiarism tools are insufficient. The proposed pipeline combines perceptual cues (MS-SSIM, color-distribution distances, Gram-matrix texture statistics, and edge topology), compositional cues (symmetry, balance, saliency spread, orientation entropy, and palette harmony), and semantic cues from CLIP and BLIP. Each channel is normalized, fused into a calibrated similarity score, and reported with uncertainty bounds and channel-level explanations. Using representative WikiArt-anchored cases and GAN-generated counterparts, the framework distinguishes probable derivation, stylistic influence, and independent creation more reliably than any isolated metric. The revised manuscript adds a consolidated related-work matrix, documented case provenance for A1–A5, illustrative output dossiers, and visual summaries of the comparative results. The method is intended as a transparent decision-support tool for scholarly, curatorial, and legal review rather than an automated adjudicator.

American Journal of Art and DesignVol. 11(2)
Wonkwang University (KR)
Peace, Justice and strong institutions
Openalex Percentile: Top 7%
Aesthetic Perception and Analysis
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