Berenger as a self-effacing neurotic: A Horneyan reading of Ionesco's Rhinoceros

This is a study of the play Rhinoceros by Eugène Ionesco using the theoretical frameworks of Karen Horney. The object of analysis will be the character of Berenger from Eugène Ionesco’s Rhinoceros, with particular focus on his neurotic trend through the theoretical framework of Karen Horney. The purpose of this study is to explore how Horneyan theory can be used as a lens to interpret Berenger’s neurosis and its impact on his personality, his relationship with others, and his final stance of remaining human, thereby providing a critical interpretation of the play. The analysis of the study brings to light how Berenger tries to satiate his need for love, follows his ‘shoulds’ and ‘taboos’, fights with contradictory drives, experiences inner turmoil when his need for love remains unfulfilled and when his vindictive nature, hitherto suppressed, takes control.