Afro-Dominican Identity and Resistance: Arianna Puello’s Hip-Hop as a Narrative of Black Immigrant Women in Spain

This study delves into the body of work by Dominican-born Spanish rapper Arianna Puello, examining her distinctive perspective as a Black immigrant woman and her exploration of identity, racism, and gender discrimination. Through an analysis of some of Puello’s notable tracks, including “Así es la negra” (That’s how the Black woman is), “Juana Kalamidad” (Juana Calamity), and “No puedo parar” (I can’t stop), our research explores how Puello’s music functions as a cultural and social commentary, exposing the systemic challenges faced by immigrant women in Spain, especially regarding the criminal justice system. Positioned within the broader context of Dominican migration to Spain, the analysis contends that Puello’s hip hop contributions transcend mere musical expression, emerging as a powerful medium for advocacy and social change. In emphasizing the need for a more nuanced understanding of the multifaceted challenges confronted by immigrants, especially immigrant women, within Spanish society, Puello’s music stands as a testament to the transformative potential of art in fostering social awareness and change.