The synthetic transformation of the art world: ethical tensions

Synthetic transformation has become a disruptive force in the field of art, with profound impacts on the processes of both the generation of relevant information and applicable knowledge and the production, distribution and consumption of cultural goods and services. AI, one of its main pillars, is increasingly being used by artists and writers to complement, develop or even finish their work. But AI is also being developed to be applied and used autonomously in the production of artistic works and scientific and informational texts, i.e., without expert oversight. Using a critical hermeneutic methodology typical of the humanities and social sciences, this study aims to critically reflect on the algorithmic colonisation of the art world and its current and potential impacts.

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Publication Details

Journal
Humanities and Social Sciences Communications
Published
2026-04-22
DOI
https://doi.org/10.1057/s41599-026-06984-9
Primary Topic
Art, Politics, and Modernism
Type
article
Field-Weighted Citation Impact
0.00

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article

The synthetic transformation of the art world: ethical tensions

Patrici Calvo
Humanities and Social Sciences Communications
Art, Politics, and Modernism
article

The synthetic transformation of the art world: ethical tensions

Patrici Calvo
article en

Abstract

Synthetic transformation has become a disruptive force in the field of art, with profound impacts on the processes of both the generation of relevant information and applicable knowledge and the production, distribution and consumption of cultural goods and services. AI, one of its main pillars, is increasingly being used by artists and writers to complement, develop or even finish their work. But AI is also being developed to be applied and used autonomously in the production of artistic works and scientific and informational texts, i.e., without expert oversight. Using a critical hermeneutic methodology typical of the humanities and social sciences, this study aims to critically reflect on the algorithmic colonisation of the art world and its current and potential impacts.

Humanities and Social Sciences Communications
Universitat Jaume I (ES)
Ministerio de Ciencia, Innovación y Universidades, Generalitat Valenciana, Agencia Estatal de Investigación, Conselleria de Cultura, Educación y Ciencia, Generalitat Valenciana
Openalex Percentile: Top 12%
Art, Politics, and Modernism
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