Visual features explain dynamic aesthetic experiences across distinct movie content

Aesthetic experiences in everyday life unfold under continuously changing visual input. Although these experiences clearly depend on the observer and context, they are partly explained by the visual features of the input. Here, we investigated how well a combination of visual features predicts dynamic aesthetic experiences during naturalistic and artistic movie watching. In two experiments, participants continuously rated the aesthetic appeal of either the nature documentary Home (N = 37) or the animated art-style movie Loving Vincent (N = 30). We modeled moment-to-moment ratings using image-computable visual features extracted from each movie frame, including visual fluency, color and motion statistics, and symmetry. Linear models trained on these features reliably predicted aesthetic ratings for new movie parts, both within and across observers, pointing to shared perceptual influences on aesthetic experiences. Model comparisons showed that visual fluency and color-related features were most informative for predicting aesthetic experience in both movies. Critically, models trained on one movie could reliably predict aesthetic appeal ratings in the other movie, despite the movies' remarkably different content and styles. Color features were most informative for cross-movie prediction. We conclude that visual features provide a robust basis for explaining dynamic aesthetic experiences across observers and different movie content.

Authors

Institutions

Publication Details

Journal
Communications Psychology
Published
2026-09-11
DOI
https://doi.org/10.1038/s44271-026-00531-7
Primary Topic
Aesthetic Perception and Analysis
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
article

Visual features explain dynamic aesthetic experiences across distinct movie content

Daniel Kaiser, Nina Bühlmann, Mustafa Alperen Ekinci
Communications Psychology
Aesthetic Perception and Analysis
article

Visual features explain dynamic aesthetic experiences across distinct movie content

Daniel Kaiser, Nina Bühlmann, Mustafa Alperen Ekinci
article en

Abstract

Aesthetic experiences in everyday life unfold under continuously changing visual input. Although these experiences clearly depend on the observer and context, they are partly explained by the visual features of the input. Here, we investigated how well a combination of visual features predicts dynamic aesthetic experiences during naturalistic and artistic movie watching. In two experiments, participants continuously rated the aesthetic appeal of either the nature documentary Home (N = 37) or the animated art-style movie Loving Vincent (N = 30). We modeled moment-to-moment ratings using image-computable visual features extracted from each movie frame, including visual fluency, color and motion statistics, and symmetry. Linear models trained on these features reliably predicted aesthetic ratings for new movie parts, both within and across observers, pointing to shared perceptual influences on aesthetic experiences. Model comparisons showed that visual fluency and color-related features were most informative for predicting aesthetic experience in both movies. Critically, models trained on one movie could reliably predict aesthetic appeal ratings in the other movie, despite the movies' remarkably different content and styles. Color features were most informative for cross-movie prediction. We conclude that visual features provide a robust basis for explaining dynamic aesthetic experiences across observers and different movie content.

Communications PsychologyVol. 4(1)
Justus-Liebig-Universität Gießen (DE), Universitätsklinikum Gießen und Marburg (DE), Universities of Giessen and Marburg Lung Center (DE)
Openalex Percentile: Top 62%
Aesthetic Perception and Analysis
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Visual features explain dynamic aesthetic experiences across distinct movie content — Daniel Kaiser, Nina Bühlmann, et al. · Communications Psychology (2026) | TGRS Research Map | TGRS