Studio Pedagogy in Transition: Lecturers' Reflections on Creative Arts Education in a Post‐COVID World

Abstract This paper presents findings from interviews with creative arts academics examining how the COVID‐19 disruption reshaped studio‐based teaching practices and informed future pedagogical thinking. Participants described the disruption as a period that compelled rapid adaptation and created opportunities to experiment, review and reflect on their teaching practices. Staff are committed to learning from this time. Lecturers expressed a strong preference for in‐person teaching, with the purposeful integration of online and digital pedagogies seen as key to expanding studio teaching. Our results suggest increased interest in the potential benefits of a blended approach. Results also revealed that the COVID‐19 disruption triggered deeper, systemic shifts in student behaviour and in teaching mindsets, changes they understood as extending beyond short‐term crisis responses and signalling more fundamental change. These findings reflect educator accounts, and we therefore interpret claims about student engagement as staff perceptions that warrant triangulation in future research.

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Publication Details

Journal
International Journal of Art & Design Education
Published
2026-04-16
DOI
https://doi.org/10.1111/jade.70026
Primary Topic
Art Education and Development
Type
article
Field-Weighted Citation Impact
0.00
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article

Studio Pedagogy in Transition: Lecturers' Reflections on Creative Arts Education in a Post‐COVID World

Tara Winters, Nick Konings
International Journal of Art & Design Education
Art Education and Development
article

Studio Pedagogy in Transition: Lecturers' Reflections on Creative Arts Education in a Post‐COVID World

Tara Winters, Nick Konings
article en

Abstract

Abstract This paper presents findings from interviews with creative arts academics examining how the COVID‐19 disruption reshaped studio‐based teaching practices and informed future pedagogical thinking. Participants described the disruption as a period that compelled rapid adaptation and created opportunities to experiment, review and reflect on their teaching practices. Staff are committed to learning from this time. Lecturers expressed a strong preference for in‐person teaching, with the purposeful integration of online and digital pedagogies seen as key to expanding studio teaching. Our results suggest increased interest in the potential benefits of a blended approach. Results also revealed that the COVID‐19 disruption triggered deeper, systemic shifts in student behaviour and in teaching mindsets, changes they understood as extending beyond short‐term crisis responses and signalling more fundamental change. These findings reflect educator accounts, and we therefore interpret claims about student engagement as staff perceptions that warrant triangulation in future research.

International Journal of Art & Design Education
University of Auckland (NZ), Auckland University of Technology (NZ)
Quality Education
Openalex Percentile: Top 7%
Art Education and Development
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