Engagement-based curation and the evolution of taste

We develop a dynamic model of how engagement-driven curation, such as Spotify’s algorithmic curation of playlists or Netflix’s personalized menus of TV shows, shapes the evolution of aesthetic tastes. Building on the canonical consumption capital model of Becker et al. (1988), we introduce two innovations: non-monotonic returns to familiarity, where moderate exposure to a style enhances appreciation but excessive exposure causes boredom; and curator-controlled exposure, where engagement-maximizing intermediaries determine which content consumers encounter. We show that when curators treat consumers’ familiarity as exogenous, failing to recognize it as shaped by their own past promotional choices, they can become trapped in inefficient equilibria with self-confirming beliefs, even though they may have high predictive accuracy for any given recommendation. Second, even when curators track familiarity as an endogenous state variable, they structurally underexplore when their evaluation horizons are short relative to long-run taste evolution timescales. We derive welfare implications, characterize comparative statics, and show that in both cases, lower prediction accuracy in curation can be welfare-improving.

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Publication Details

Journal
Journal of Cultural Economics
Published
2026-04-17
DOI
https://doi.org/10.1007/s10824-026-09591-3
Primary Topic
Artistic and Creative Research
Type
article
Field-Weighted Citation Impact
0.00
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article

Engagement-based curation and the evolution of taste

Samsun Knight
Journal of Cultural Economics
Artistic and Creative Research
article

Engagement-based curation and the evolution of taste

Samsun Knight
article en

Abstract

We develop a dynamic model of how engagement-driven curation, such as Spotify’s algorithmic curation of playlists or Netflix’s personalized menus of TV shows, shapes the evolution of aesthetic tastes. Building on the canonical consumption capital model of Becker et al. (1988), we introduce two innovations: non-monotonic returns to familiarity, where moderate exposure to a style enhances appreciation but excessive exposure causes boredom; and curator-controlled exposure, where engagement-maximizing intermediaries determine which content consumers encounter. We show that when curators treat consumers’ familiarity as exogenous, failing to recognize it as shaped by their own past promotional choices, they can become trapped in inefficient equilibria with self-confirming beliefs, even though they may have high predictive accuracy for any given recommendation. Second, even when curators track familiarity as an endogenous state variable, they structurally underexplore when their evaluation horizons are short relative to long-run taste evolution timescales. We derive welfare implications, characterize comparative statics, and show that in both cases, lower prediction accuracy in curation can be welfare-improving.

Journal of Cultural Economics
University of Toronto (CA)
Openalex Percentile: Top 11%
Artistic and Creative Research
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