Forgotten Austerities: Kate O’Brien’s Queer Nuns

This is a study of the nun as a queer archetype of femininity across Kate O’Brien’s fiction and non-fiction. Alongside characters who are actual nuns, the fiction includes characters who can be described as ‘nun-like,’ especially in their renunciation of sexual desire. In the fiction, this secular renunciation is aligned with religious celibacy as actively chosen and ethically purposeful and situated as similar to artistic creativity. The study argues that O’Brien’s nuns are paradoxical and queer figures, undermining the temporality, class politics and models of human subjectivity central to O’Brien’s own ideological commitments. Attending to these nun figures prompts significant questions about the liberal feminist politics underpinning contemporary O’Brien studies and the prevailing critical reception of O’Brien as an exemplary Irish woman writer.

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Publication Details

Journal
Humanities
Published
2026-04-17
DOI
https://doi.org/10.3390/h15040058
Primary Topic
Irish and British Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Forgotten Austerities: Kate O’Brien’s Queer Nuns

Michael G. Cronin
Humanities
Irish and British Studies
article

Forgotten Austerities: Kate O’Brien’s Queer Nuns

Michael G. Cronin
article en

Abstract

This is a study of the nun as a queer archetype of femininity across Kate O’Brien’s fiction and non-fiction. Alongside characters who are actual nuns, the fiction includes characters who can be described as ‘nun-like,’ especially in their renunciation of sexual desire. In the fiction, this secular renunciation is aligned with religious celibacy as actively chosen and ethically purposeful and situated as similar to artistic creativity. The study argues that O’Brien’s nuns are paradoxical and queer figures, undermining the temporality, class politics and models of human subjectivity central to O’Brien’s own ideological commitments. Attending to these nun figures prompts significant questions about the liberal feminist politics underpinning contemporary O’Brien studies and the prevailing critical reception of O’Brien as an exemplary Irish woman writer.

HumanitiesVol. 15(4)
National University of Ireland, Maynooth (IE)
Gender equality
Openalex Percentile: Top 16%
Irish and British Studies
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