From origin to future: interdisciplinary approaches to provenance in art collections

This article examines the accessibility, transparency, and interconnectivity of provenance research in museum collections. While the field originated in efforts to document Nazi-era looting, it now also addresses colonial contexts, state succession, and broader cultural heritage claims. Drawing on web-harvested data from 42 departments across 14 institutions in Germany and the United States, the article proposes a systematic framework for evaluating provenance information. The findings reveal differences in data quality, completeness, and standardization, alongside structural constraints shaped by institutional workflows, technology, and resources. Although digitization has expanded public access to provenance information, we still observe significant gaps between professional guidelines and institutional practices. The article therefore calls for standardized data models, interoperable infrastructures, and sustainable strategies for provenance documentation. By identifying both persistent barriers and emerging opportunities, it underscores the importance of interdisciplinary collaboration, shared standards, and wider public accessibility to strengthen equitable and trustworthy stewardship of cultural heritage.

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Publication Details

Journal
Museum Management and Curatorship
Published
2026-04-14
DOI
https://doi.org/10.1080/09647775.2026.2654871
Primary Topic
Cultural Heritage Materials Analysis
Type
article
Field-Weighted Citation Impact
0.00

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article

From origin to future: interdisciplinary approaches to provenance in art collections

Stefanie Schneider, Antoinette Maget Dominicé, Ricarda Vollmer, Elisa Ludwig
Museum Management and Curatorship
Cultural Heritage Materials Analysis
article

From origin to future: interdisciplinary approaches to provenance in art collections

Stefanie Schneider, Antoinette Maget Dominicé, Ricarda Vollmer, Elisa Ludwig
article en

Abstract

This article examines the accessibility, transparency, and interconnectivity of provenance research in museum collections. While the field originated in efforts to document Nazi-era looting, it now also addresses colonial contexts, state succession, and broader cultural heritage claims. Drawing on web-harvested data from 42 departments across 14 institutions in Germany and the United States, the article proposes a systematic framework for evaluating provenance information. The findings reveal differences in data quality, completeness, and standardization, alongside structural constraints shaped by institutional workflows, technology, and resources. Although digitization has expanded public access to provenance information, we still observe significant gaps between professional guidelines and institutional practices. The article therefore calls for standardized data models, interoperable infrastructures, and sustainable strategies for provenance documentation. By identifying both persistent barriers and emerging opportunities, it underscores the importance of interdisciplinary collaboration, shared standards, and wider public accessibility to strengthen equitable and trustworthy stewardship of cultural heritage.

Museum Management and Curatorship
University of Geneva (CH), Czech Academy of Sciences, Institute of Art History (CZ), Institut für Urheber- und Medienrecht (DE)
University of Oxford, Inha University, Université de Limoges
Openalex Percentile: Top 23%
Cultural Heritage Materials Analysis
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From origin to future: interdisciplinary approaches to provenance in art collections — Stefanie Schneider, Antoinette Maget Dominicé, et al. · Museum Management and Curatorship (2026) | TGRS Research Map | TGRS