Folklore as Movement

<p class="ql-align-justify">This article examines the transformation of <em>Pantun Bogor</em>, a Sundanese oral tradition, into the dance performance <em>Arum Wiyaga</em> through the framework of intertextuality (hypotext–hypertext). The study aims to analyze how the pantun text as a hypotext is reconstructed into a hypertext in the form of a dance performance through mechanisms of interpretation, embodiment, and performative meaning-making. This research employs a qualitative approach using Art-Based Research (ABR), which positions the creative process as an integral part of analytical and reflective inquiry in understanding cultural transformation. The findings reveal that the transformation of <em>Pantun Bogor</em> into <em>Arum Wiyaga </em>is not merely representational, but constitutes an intertextual process that generates new meanings through the integration of narrative, movement, music, costume, and properties as a performative sign system. The dancer’s body functions as a “living text” that embodies cultural values, while, within the ritual dimension, there is a shift toward a form of pseudo-ritual, in which sacred elements are reconstructed into a more flexible and contextual performance format. Furthermore, the transformation demonstrates that a single narrative segment from the pantun can be developed into multiple choreographic structures, enriching the practice of folklore-based dance creation. Conceptually, this study proposes that the transformation of cultural texts into performing arts occurs through intertextual relations, embodiment, and performative reconstruction. The implications of this research include the development of pedagogical models in narrative-based choreography education, the strengthening of performance as a medium for cultural revitalization within communities, and the potential development of performing arts as a form of culture-based edutourism.</p>