Pragmatics, emotion and literature

Affect plays a central role in both the creation and interpretation of literature. Authors often communicate feelings and emotions through their writing, aiming to elicit affective responses in the reader, which can vary greatly across individuals. This emotional resonance is widely seen as a key factor in a particular text’s impact. But despite the fundamental role of emotion in communication and most human endeavours, the mental processes underlying cognition and emotion are often<br/>treated as separate entities. Moreover, pragmatic theories also tend to view the vague, nebulous content of emotion as secondary to propositional content.<br/>This chapter explores the relationship between emotion and literature by drawing inspiration from affective science and pragmatic theories, particularly, relevance theory. While relevance theory explains communication as an inferential process guided by the search for relevance, its traditional focus on propositional effects means it has struggled to account for the non-propositional, ineffable nature of the reader’s affective experience. Drawing on recent interdisciplinary work, we suggest that in processing a literary utterance, the cognitive effects in relevance theory often need to be supplemented by the notion of affective effects, which arise from emotional states and guide the search for information relevant enough to be worth processing. Such effects help explain how readers engage with a text, and why the impact of a literary work often lies not in what is said, but in how it makes us feel.

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Publication Details

Journal
University of Brighton Repository (University of Brighton)
Published
2026-03-31
Primary Topic
Emotions and Moral Behavior
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article
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article

Pragmatics, emotion and literature

Tim; id_orcid 0000-0003-3702-1772 Wharton, Mengyang; id_orcid 0000-0003-4432-2135 Qiu
University of Brighton Repository (University of Brighton)
Emotions and Moral Behavior
article

Pragmatics, emotion and literature

Tim; id_orcid 0000-0003-3702-1772 Wharton, Mengyang; id_orcid 0000-0003-4432-2135 Qiu
article en

Abstract

Affect plays a central role in both the creation and interpretation of literature. Authors often communicate feelings and emotions through their writing, aiming to elicit affective responses in the reader, which can vary greatly across individuals. This emotional resonance is widely seen as a key factor in a particular text’s impact. But despite the fundamental role of emotion in communication and most human endeavours, the mental processes underlying cognition and emotion are often<br/>treated as separate entities. Moreover, pragmatic theories also tend to view the vague, nebulous content of emotion as secondary to propositional content.<br/>This chapter explores the relationship between emotion and literature by drawing inspiration from affective science and pragmatic theories, particularly, relevance theory. While relevance theory explains communication as an inferential process guided by the search for relevance, its traditional focus on propositional effects means it has struggled to account for the non-propositional, ineffable nature of the reader’s affective experience. Drawing on recent interdisciplinary work, we suggest that in processing a literary utterance, the cognitive effects in relevance theory often need to be supplemented by the notion of affective effects, which arise from emotional states and guide the search for information relevant enough to be worth processing. Such effects help explain how readers engage with a text, and why the impact of a literary work often lies not in what is said, but in how it makes us feel.

University of Brighton Repository (University of Brighton)
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Openalex Percentile: Top 9%
Emotions and Moral Behavior
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Pragmatics, emotion and literature — Tim; id_orcid 0000-0003-3702-1772 Wharton, Mengyang; id_orcid 0000-0003-4432-2135 Qiu · University of Brighton Repository (University of Brighton) (2026) | TGRS Research Map | TGRS