The Neurodivergent Musician: A Methodology Report on A Participatory Action Research Study

According to estimates, the prevalence of various forms of neurodivergence is much higher among musicians than in the general population. Despite this fact, we know very little about the lived experiences of neurodivergent (ND) musicians in professional settings, such as educational institutions and places of employment. The lack of information leads to a lack of understanding, appropriate support, and inclusion of ND personnel in these spaces; therefore, it is crucial to gather accurate information directly from the population. A Participatory Action Research (PAR) study was planned and organised by ND musicians, which consisted of an in-person event and online follow-up conversations, where members of the community (ND musicians, music educators, music researchers, and neurotypical allies) were invited to discuss various aspects of their vocational education and professional lives. In alignment with the guiding principles of PAR, all participants were invited to contribute to the outputs to ensure their autonomy and utilise their unique expertise to the fullest. Given the quantity and richness of the data and the limited space, detailed discussions about the findings will be published separately. Here, we opted to focus on the methodological approach and procedure to provide a template for using PAR with adult ND communities.

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Publication Details

Journal
Neurodiversity
Published
2026-04-01
DOI
https://doi.org/10.1177/27546330261434045
Primary Topic
Diverse Music Education Insights
Type
article
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article

The Neurodivergent Musician: A Methodology Report on A Participatory Action Research Study

Andrew Hugill, Pete Furniss, Anna Détári, Pamela Heaton et al.
Neurodiversity
Diverse Music Education Insights
article

The Neurodivergent Musician: A Methodology Report on A Participatory Action Research Study

Andrew Hugill, Pete Furniss, Anna Détári, Pamela Heaton, Georgia Dawson, James Redelinghys, Emily Baines, Alex Chapman, Lydia Ballam
article en

Abstract

According to estimates, the prevalence of various forms of neurodivergence is much higher among musicians than in the general population. Despite this fact, we know very little about the lived experiences of neurodivergent (ND) musicians in professional settings, such as educational institutions and places of employment. The lack of information leads to a lack of understanding, appropriate support, and inclusion of ND personnel in these spaces; therefore, it is crucial to gather accurate information directly from the population. A Participatory Action Research (PAR) study was planned and organised by ND musicians, which consisted of an in-person event and online follow-up conversations, where members of the community (ND musicians, music educators, music researchers, and neurotypical allies) were invited to discuss various aspects of their vocational education and professional lives. In alignment with the guiding principles of PAR, all participants were invited to contribute to the outputs to ensure their autonomy and utilise their unique expertise to the fullest. Given the quantity and richness of the data and the limited space, detailed discussions about the findings will be published separately. Here, we opted to focus on the methodological approach and procedure to provide a template for using PAR with adult ND communities.

NeurodiversityVol. 4
Royal College of Music (GB), University of Leicester (GB), Royal Northern College of Music (GB), University of Manchester (GB), Goldsmiths University of London (GB), Brunel University of London (GB), University of the Arts London (GB)
Reduced inequalities
Openalex Percentile: Top 31%
Diverse Music Education Insights
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The Neurodivergent Musician: A Methodology Report on A Participatory Action Research Study — Andrew Hugill, Pete Furniss, et al. · Neurodiversity (2026) | TGRS Research Map | TGRS