Revealing Stories of Artistic Identity Through Fabric Bricolage

This article presents and discusses the products of a creative workshop for artist/teachers which aimed to explore artistic identity through fabric bricolage, a medium unfamiliar to the participants. The account of the workshop and the artifacts created reveala the efficacy of a process that fostered reflection, honored complexity, included relational knowing, and affirmed the power of arts-based methods to reveal, connect, reframe, and transform. The article illustrates how individual acts of making, through the tactile, symbolic, and historically rich process of quilt-making, became a collective quilt of experience. The discussion points to the potential for further application in teacher education, professional development, and community arts contexts; any space where identity, creativity, and connection are valued. In a time when the arts continue to be marginalized in formal education and public discourse, creating spaces where creativity can be reawakened and meaning co-constructed is not just enriching, it is essential.

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Publication Details

Journal
Teaching Artist Journal
Published
2026-03-31
DOI
https://doi.org/10.1080/15411796.2026.2638577
Primary Topic
Crafts, Textile, and Design
Type
article
Field-Weighted Citation Impact
0.00
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article

Revealing Stories of Artistic Identity Through Fabric Bricolage

Sarah Probine, J. R. de J. Jackson, Robyn Ewing, Jane Crosbie et al.
Teaching Artist Journal
Crafts, Textile, and Design
article

Revealing Stories of Artistic Identity Through Fabric Bricolage

Sarah Probine, J. R. de J. Jackson, Robyn Ewing, Jane Crosbie, Jean Stewart, Mihaela Enache
article en

Abstract

This article presents and discusses the products of a creative workshop for artist/teachers which aimed to explore artistic identity through fabric bricolage, a medium unfamiliar to the participants. The account of the workshop and the artifacts created reveala the efficacy of a process that fostered reflection, honored complexity, included relational knowing, and affirmed the power of arts-based methods to reveal, connect, reframe, and transform. The article illustrates how individual acts of making, through the tactile, symbolic, and historically rich process of quilt-making, became a collective quilt of experience. The discussion points to the potential for further application in teacher education, professional development, and community arts contexts; any space where identity, creativity, and connection are valued. In a time when the arts continue to be marginalized in formal education and public discourse, creating spaces where creativity can be reawakened and meaning co-constructed is not just enriching, it is essential.

Teaching Artist Journal
Manukau Institute of Technology (NZ), The University of Sydney (AU), Statistics New Zealand (NZ), Auckland University of Technology (NZ)
Openalex Percentile: Top 21%
Crafts, Textile, and Design
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