Revealing Stories of Artistic Identity Through Fabric Bricolage
This article presents and discusses the products of a creative workshop for artist/teachers which aimed to explore artistic identity through fabric bricolage, a medium unfamiliar to the participants. The account of the workshop and the artifacts created reveala the efficacy of a process that fostered reflection, honored complexity, included relational knowing, and affirmed the power of arts-based methods to reveal, connect, reframe, and transform. The article illustrates how individual acts of making, through the tactile, symbolic, and historically rich process of quilt-making, became a collective quilt of experience. The discussion points to the potential for further application in teacher education, professional development, and community arts contexts; any space where identity, creativity, and connection are valued. In a time when the arts continue to be marginalized in formal education and public discourse, creating spaces where creativity can be reawakened and meaning co-constructed is not just enriching, it is essential.
Authors
- Sarah Probine (ORCID: https://orcid.org/0000-0003-0022-9203)
- J. R. de J. Jackson (ORCID: https://orcid.org/0000-0002-5302-5768)
- Robyn Ewing (ORCID: https://orcid.org/0000-0002-9404-7760)
- Jane Crosbie
- Jean Stewart
- Mihaela Enache
Institutions
- Manukau Institute of Technology (NZ)
- The University of Sydney (AU)
- Statistics New Zealand (NZ)
- Auckland University of Technology (NZ)
Publication Details
- Journal
- Teaching Artist Journal
- Published
- 2026-03-31
- DOI
- https://doi.org/10.1080/15411796.2026.2638577
- Primary Topic
- Crafts, Textile, and Design
- Type
- article
- Field-Weighted Citation Impact
- 0.00