Postural adaptations of saxophone players during music performance

Music performance is one of the most refined forms of skilled human behaviour, combining high-level motor and cognitive demands with expressive intentions. We examined how musical features and movement expression affect postural sway in expert saxophone players. Twenty participants (nine female) performed excerpts varying in tempo, rhythmical density, articulation, and technical demands, in standing position, under movement-restricted and expressive-movement conditions. Generalised linear mixed models were used to assess the effects of these factors on centre-of-mass measurements. Results showed that participants swayed faster and travelled longer distances in music with faster tempo and increased rhythmical density, but slower and with reduced mediolateral range when performing tonguing technique (staccato). When limited to technical motion, participants still showed increased mediolateral sway during staccato passages, suggesting compensatory postural adjustments. Sway frequency was unaffected by movement condition, possibly reflecting an unconscious, task-related motor response. Performances were longer when movement was constrained, highlighting the role of body motion in temporal regulation. Our findings help understand how saxophone players accommodate technical and expressive goals, offering new insights into motor control and multisensory integration during performance.

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Publication Details

Journal
Journal of New Music Research
Published
2026-03-31
DOI
https://doi.org/10.1080/09298215.2026.2648821
Primary Topic
Musicians’ Health and Performance
Type
article
Field-Weighted Citation Impact
0.00

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article

Postural adaptations of saxophone players during music performance

Pedro Fonseca, Sofia Serra, Bárbara Magalhães, Marc Vidal et al.
Journal of New Music Research
Musicians’ Health and Performance
article

Postural adaptations of saxophone players during music performance

Pedro Fonseca, Sofia Serra, Bárbara Magalhães, Marc Vidal, João Paulo Vilas-Boas, Nádia Moura
article en

Abstract

Music performance is one of the most refined forms of skilled human behaviour, combining high-level motor and cognitive demands with expressive intentions. We examined how musical features and movement expression affect postural sway in expert saxophone players. Twenty participants (nine female) performed excerpts varying in tempo, rhythmical density, articulation, and technical demands, in standing position, under movement-restricted and expressive-movement conditions. Generalised linear mixed models were used to assess the effects of these factors on centre-of-mass measurements. Results showed that participants swayed faster and travelled longer distances in music with faster tempo and increased rhythmical density, but slower and with reduced mediolateral range when performing tonguing technique (staccato). When limited to technical motion, participants still showed increased mediolateral sway during staccato passages, suggesting compensatory postural adjustments. Sway frequency was unaffected by movement condition, possibly reflecting an unconscious, task-related motor response. Performances were longer when movement was constrained, highlighting the role of body motion in temporal regulation. Our findings help understand how saxophone players accommodate technical and expressive goals, offering new insights into motor control and multisensory integration during performance.

Journal of New Music Research
Universidade do Porto (PT), Universidade Católica Portuguesa (PT), Ghent University Hospital (BE), Max Planck Institute for Human Cognitive and Brain Sciences (DE), University of Aveiro (PT), University of Coimbra (PT), Polytechnic Institute of Porto (PT)
European Commission, Fundação para a Ciência e a Tecnologia, European Social Fund
Openalex Percentile: Top 40%
Musicians’ Health and Performance
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