The harmonicity of brain dynamics: A neurophenomenological approach to creative biofeedback

Abstract Biological rhythms exhibit harmonic relations that can be operationalised for art–science creation. We introduce a neurophenomenological framework that treats the harmonic architecture of brain–body oscillations (HABBOs) as a compositional medium and guiding signal for real-time feedback. Methodologically, we compute the harmonicity of spectral peaks from electrophysiological time series (e.g., brain, heart), derive adaptive microtonal tunings via timbre–tuning alignment and dissonance-curve analysis, and render evolving tension–resolution trajectories through a sonification method we call harmonic audification. Building on these tools, we prototype creative brain–computer interfaces (cBCIs) that align auditory feedback with a participant’s harmonic landscape, enabling embodied exploration of attention, affect and creativity through closed-loop interaction. To broaden access, we release the Biotuner Engine, a web application that transforms oscillatory data into MIDI tunings and chord progressions alongside the companion open-source toolbox for research pipelines. Our contributions are as follows: (1) formalisation of HABBOs for creative biofeedback; (2) algorithms for extracting and tracking bioharmonic structure and transitional harmony; (3) cBCI design principles coupling neural dynamics to adaptive sound; and (4) accessible software for artists and scientists. We argue that modelling harmony in biosignals offers a rigorous bridge between musical form and neural dynamics, opening transdisciplinary pathways for performance, sonification and empirical study.

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Publication Details

Journal
Organised Sound
Published
2026-03-27
DOI
https://doi.org/10.1017/s1355771826101162
Primary Topic
Neuroscience and Music Perception
Type
article
Field-Weighted Citation Impact
0.00
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article

The harmonicity of brain dynamics: A neurophenomenological approach to creative biofeedback

Eldad Tsabary, Antoine Bellemare-Pepin, François Lespinasse
Organised Sound
Neuroscience and Music Perception
article

The harmonicity of brain dynamics: A neurophenomenological approach to creative biofeedback

Eldad Tsabary, Antoine Bellemare-Pepin, François Lespinasse
article en

Abstract

Abstract Biological rhythms exhibit harmonic relations that can be operationalised for art–science creation. We introduce a neurophenomenological framework that treats the harmonic architecture of brain–body oscillations (HABBOs) as a compositional medium and guiding signal for real-time feedback. Methodologically, we compute the harmonicity of spectral peaks from electrophysiological time series (e.g., brain, heart), derive adaptive microtonal tunings via timbre–tuning alignment and dissonance-curve analysis, and render evolving tension–resolution trajectories through a sonification method we call harmonic audification. Building on these tools, we prototype creative brain–computer interfaces (cBCIs) that align auditory feedback with a participant’s harmonic landscape, enabling embodied exploration of attention, affect and creativity through closed-loop interaction. To broaden access, we release the Biotuner Engine, a web application that transforms oscillatory data into MIDI tunings and chord progressions alongside the companion open-source toolbox for research pipelines. Our contributions are as follows: (1) formalisation of HABBOs for creative biofeedback; (2) algorithms for extracting and tracking bioharmonic structure and transitional harmony; (3) cBCI design principles coupling neural dynamics to adaptive sound; and (4) accessible software for artists and scientists. We argue that modelling harmony in biosignals offers a rigorous bridge between musical form and neural dynamics, opening transdisciplinary pathways for performance, sonification and empirical study.

Organised Sound
Kairos (United States) (US), Concordia University (CA), Université de Montréal (CA)
Openalex Percentile: Top 8%
Neuroscience and Music Perception
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