“No Demons on the train”

Abstract This study examined audience responses to a Philippine Department of Transportation Facebook post that depicted characters from Demon Slayer: Kimetsu no Yaiba as part of a public information announcement. Analysis of 1,030 comments revealed two opposing discourses. Supportive commenters interpreted the post as humorous, creative, and appropriate for online communication, while oppositional commenters evaluated it as unprofessional, mistimed, or disconnected from the lived realities of public transportation. These divergent evaluations illustrate how humor and popular culture in institutional messaging do not carry fixed meanings but are interpreted through competing understandings of authority, cultural competence, and everyday experience. The findings show that audience responses are shaped by historically and socially grounded expectations of government communication, demonstrating how digital platforms make visible the broader contexts through which institutional humor is legitimized or challenged.

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Publication Details

Journal
Journal of Asian Pacific Communication
Published
2026-03-27
DOI
https://doi.org/10.1075/japc.25078.env
Primary Topic
Humor Studies and Applications
Type
article
Field-Weighted Citation Impact
0.00
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article

“No Demons on the train”

Manuel Enverga
Journal of Asian Pacific Communication
Humor Studies and Applications
article

“No Demons on the train”

Manuel Enverga
article en

Abstract

Abstract This study examined audience responses to a Philippine Department of Transportation Facebook post that depicted characters from Demon Slayer: Kimetsu no Yaiba as part of a public information announcement. Analysis of 1,030 comments revealed two opposing discourses. Supportive commenters interpreted the post as humorous, creative, and appropriate for online communication, while oppositional commenters evaluated it as unprofessional, mistimed, or disconnected from the lived realities of public transportation. These divergent evaluations illustrate how humor and popular culture in institutional messaging do not carry fixed meanings but are interpreted through competing understandings of authority, cultural competence, and everyday experience. The findings show that audience responses are shaped by historically and socially grounded expectations of government communication, demonstrating how digital platforms make visible the broader contexts through which institutional humor is legitimized or challenged.

Journal of Asian Pacific Communication
Ateneo de Manila University (PH)
Openalex Percentile: Top 10%
Humor Studies and Applications
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“No Demons on the train” — Manuel Enverga · Journal of Asian Pacific Communication (2026) | TGRS Research Map | TGRS