Sones Elásticos: Leveraging the Dynamic Spirit of Son Jarocho‐Based Writing Into the <scp>TESOL</scp> Classroom

ABSTRACT TESOL educators have access to diverse didactic resources, including popular music and songwriting, which can be especially effective tools for writing instruction. This conceptual article explores the use of sones—the song verses of son jarocho, a folkloric regional music genre from southeastern Mexico—as a medium for poetic (re)writing, reflection, and social critique in the TESOL classroom. The improvisational tradition of son jarocho allows language‐minoritized students to creatively reinterpret the genre by emphasizing individual experience and dynamic expression. We focus on the Chicane/x band, Las Cafeteras, and their (re)interpretation of the centuries‐old son (son jarocho song), “Señor Presidente/Mr. President” as a catalyst for son jarocho‐based writing practices. We highlight this Mexican musical tradition as a resource for teachers to foster creativity and criticality in TESOL classrooms. Co‐authored with Las Cafeteras lead singer‐songwriter, Denise Carlos, this article theorizes son jarocho as a powerful tool for cultivating creativity and critical literacy while envisioning more equitable futures for immigrants and racialized multilingual communities.

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Publication Details

Journal
TESOL Journal
Published
2026-03-27
DOI
https://doi.org/10.1002/tesj.70125
Primary Topic
Latin American and Latino Studies
Type
article
Field-Weighted Citation Impact
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article

Sones Elásticos: Leveraging the Dynamic Spirit of Son Jarocho‐Based Writing Into the TESOL Classroom

Cati V. de los Ríos, Denise Carlos
TESOL Journal
Latin American and Latino Studies
article

Sones Elásticos: Leveraging the Dynamic Spirit of Son Jarocho‐Based Writing Into the TESOL Classroom

Cati V. de los Ríos, Denise Carlos
article en

Abstract

ABSTRACT TESOL educators have access to diverse didactic resources, including popular music and songwriting, which can be especially effective tools for writing instruction. This conceptual article explores the use of sones—the song verses of son jarocho, a folkloric regional music genre from southeastern Mexico—as a medium for poetic (re)writing, reflection, and social critique in the TESOL classroom. The improvisational tradition of son jarocho allows language‐minoritized students to creatively reinterpret the genre by emphasizing individual experience and dynamic expression. We focus on the Chicane/x band, Las Cafeteras, and their (re)interpretation of the centuries‐old son (son jarocho song), “Señor Presidente/Mr. President” as a catalyst for son jarocho‐based writing practices. We highlight this Mexican musical tradition as a resource for teachers to foster creativity and criticality in TESOL classrooms. Co‐authored with Las Cafeteras lead singer‐songwriter, Denise Carlos, this article theorizes son jarocho as a powerful tool for cultivating creativity and critical literacy while envisioning more equitable futures for immigrants and racialized multilingual communities.

TESOL JournalVol. 17(2)
Berkeley College (US), Los Angeles Southwest College (US), University of California, Berkeley (US)
Quality Education
Openalex Percentile: Top 8%
Latin American and Latino Studies
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