Waterways: Arteries, Rhythms, Kinship

Waterways: Arteries, Rhythms and Kinship was a three-day symposium exploring how water binds us across histories and futures. Organised by Hyundai Tate Research Centre: Transnational in partnership with Hyundai Motor, the event ran from 18 to 20 October 2024, with a two-day conference at Tate Modern followed by a day of workshops delivered by the artists Taey Iohe, Jumana Emil Abboud and Julie Gough at sites across London. In Part 1 of this review, Ama Josephine Budge Johnstone reflects on the conference and Julie Gough’s workshop, The Mire, at Bankside Pier; in Part 2, Emilie Glazer discusses Taey Iohe’s Messengers and Jumana Emil Abboud’s Your reflection on the gentle sea, both at Walthamstow Wetlands, east London. Commissioned review for a symposium at Tate Modern entitled Waterways: Arteries, Rhythms, Kinship. The event is the annual symposium organised by Hyundai Tate Research Centre: Transnational

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Publication Details

Journal
University of the Arts London Research Online (University of the Arts London)
Published
2024-10-01
Primary Topic
Art, Politics, and Modernism
Type
article
Field-Weighted Citation Impact
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article

Waterways: Arteries, Rhythms, Kinship

Emilie Glazer, Ama Josephine Budge Johnstone
University of the Arts London Research Online (University of the Arts London)
Art, Politics, and Modernism
article

Waterways: Arteries, Rhythms, Kinship

Emilie Glazer, Ama Josephine Budge Johnstone
article en

Abstract

Waterways: Arteries, Rhythms and Kinship was a three-day symposium exploring how water binds us across histories and futures. Organised by Hyundai Tate Research Centre: Transnational in partnership with Hyundai Motor, the event ran from 18 to 20 October 2024, with a two-day conference at Tate Modern followed by a day of workshops delivered by the artists Taey Iohe, Jumana Emil Abboud and Julie Gough at sites across London. In Part 1 of this review, Ama Josephine Budge Johnstone reflects on the conference and Julie Gough’s workshop, The Mire, at Bankside Pier; in Part 2, Emilie Glazer discusses Taey Iohe’s Messengers and Jumana Emil Abboud’s Your reflection on the gentle sea, both at Walthamstow Wetlands, east London. Commissioned review for a symposium at Tate Modern entitled Waterways: Arteries, Rhythms, Kinship. The event is the annual symposium organised by Hyundai Tate Research Centre: Transnational

University of the Arts London Research Online (University of the Arts London)
Life below water
Openalex Percentile: Top 8%
Art, Politics, and Modernism
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