Algorithmic Resistance Through Material Praxis: Exhibiting Post-Extractive Futures in Digital Capitalism’s Shadow

Digital capitalism has generated new forms of extractivism that extend beyond natural resources to encompass data, attention, affect, and planetary materials. This article examines how exhibition practices can function as forms of algorithmic resistance by foregrounding material praxis, embodied engagement, and curatorial strategies of care. Drawing on a practice-based research approach, the paper develops a theoretical framework around extractivism, materiality, and relational ethics, and applies it to two case studies: the author’s exhibition Nature Reclaims: Images of Healing, which cultivates regenerative imaginaries through urban rewilding photography, tactile installations, and trauma-informed reflective tools; and Fossil Fables, curated by the Global Extraction Observatory (GEO), which exposes the infrastructural, political, and ideological architectures sustaining extractive industries and digital technologies. Through comparative analysis, the article introduces the concept of symbiotic curation to describe a post-extractive curatorial method that holds critical exposure and regenerative proposition in sustained tension. The findings illustrate how exhibitions can reorganize perception, recalibrate temporality, and render hidden infrastructures visible, while also cultivating embodied relations of care, ecological attunement, and collective reflection. By positioning curatorial practice as an epistemic process in which theoretical propositions are tested through spatial, material, and affective decisions, the article identifies transferable principles for post-extractive cultural work. It argues that exhibitions can operate as laboratories for algorithmic resistance and as sites for rehearsing alternative relations between humans, technologies, and more-than-human worlds.