Exploring the Narrative Aesthetics in the Transformation of Intellectual Property Creation in Cross-Media Production

Contemporary cross-media Intellectual Property (IP)-based creative practices have posed significant challenges to traditional paradigms of literary criticism, chiefly because IP creation links textual works with commercial product chains, thereby requiring criticism to confront non-textual yet literature-related creative outputs. In response to these new forms of criticism, non-textual phenomena may be reconceptualized as forms of narrative phenomena that remain semantically affiliated with the textual work. This non-textual narrative phenomenon may be interpreted through the concept of “narrative performance”. However, the concept only summarizes the non-textual narrative of a single segment within an IP production chain. A comprehensive understanding of the entire chain necessitates the perspective of “narrative event combination”, which integrates non-textual narrative processes with textual creation. Building upon this framework, this article proposes the notion of Dynamic Narrative Aesthetic. This idea not only constitutes a critical response to IP literature creation, but also offers a forward-looking reflection on AI-generated art as an emergent technological and aesthetic trend.

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Publication Details

Journal
Journal of Macau University of Science and Technology
Published
2026-01-01
DOI
https://doi.org/10.58664/mustjournal.2026.03.007
Primary Topic
Copyright and Intellectual Property
Type
article
Field-Weighted Citation Impact
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article

Exploring the Narrative Aesthetics in the Transformation of Intellectual Property Creation in Cross-Media Production

Zheng Yingfeng
Journal of Macau University of Science and Technology
Copyright and Intellectual Property
article

Exploring the Narrative Aesthetics in the Transformation of Intellectual Property Creation in Cross-Media Production

Zheng Yingfeng
article en

Abstract

Contemporary cross-media Intellectual Property (IP)-based creative practices have posed significant challenges to traditional paradigms of literary criticism, chiefly because IP creation links textual works with commercial product chains, thereby requiring criticism to confront non-textual yet literature-related creative outputs. In response to these new forms of criticism, non-textual phenomena may be reconceptualized as forms of narrative phenomena that remain semantically affiliated with the textual work. This non-textual narrative phenomenon may be interpreted through the concept of “narrative performance”. However, the concept only summarizes the non-textual narrative of a single segment within an IP production chain. A comprehensive understanding of the entire chain necessitates the perspective of “narrative event combination”, which integrates non-textual narrative processes with textual creation. Building upon this framework, this article proposes the notion of Dynamic Narrative Aesthetic. This idea not only constitutes a critical response to IP literature creation, but also offers a forward-looking reflection on AI-generated art as an emergent technological and aesthetic trend.

Journal of Macau University of Science and TechnologyVol. 20(1)
Openalex Percentile: Top 5%
Copyright and Intellectual Property
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Exploring the Narrative Aesthetics in the Transformation of Intellectual Property Creation in Cross-Media Production — Zheng Yingfeng · Journal of Macau University of Science and Technology (2026) | TGRS Research Map | TGRS