Reassessing Anne Boleyn and other Boleyn women in Holbein drawings using facial recognition

For over two centuries, the Holbein drawing RCIN 912189 in the Royal Collection Trust has been identified as Anne Boleyn on the basis of an unverified eighteenth century inscription. This study reassesses that attribution by combining computational facial recognition with documentary and art-historical analysis. We propose a Working Likeness Methodology that restricts biometric comparison to Holbein’s life-drawn sketches, reducing the stylistic mediation. Using a deep learning model based on AdaFace embeddings, we compare RCIN 912189 with RCIN 912190 (Unidentified Woman). RCIN 912190 shows stable similarity to the authenticated portrait of Elizabeth I by William Scrots and aligns closely with contemporary descriptions of Anne Boleyn, whereas RCIN 912189 conflicts with eyewitness accounts. Validation across Tudor kinship networks shows the method distinguishes documented relatives from unrelated courtiers, suggesting computational facial analysis can provide probabilistic support for attribution where traditional evidence remains limited.

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Publication Details

Journal
npj Heritage Science
Published
2026-03-24
DOI
https://doi.org/10.1038/s40494-026-02456-0
Primary Topic
Aesthetic Perception and Analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

Reassessing Anne Boleyn and other Boleyn women in Holbein drawings using facial recognition

npj Heritage Science
Aesthetic Perception and Analysis
article

Reassessing Anne Boleyn and other Boleyn women in Holbein drawings using facial recognition

article en

Abstract

For over two centuries, the Holbein drawing RCIN 912189 in the Royal Collection Trust has been identified as Anne Boleyn on the basis of an unverified eighteenth century inscription. This study reassesses that attribution by combining computational facial recognition with documentary and art-historical analysis. We propose a Working Likeness Methodology that restricts biometric comparison to Holbein’s life-drawn sketches, reducing the stylistic mediation. Using a deep learning model based on AdaFace embeddings, we compare RCIN 912189 with RCIN 912190 (Unidentified Woman). RCIN 912190 shows stable similarity to the authenticated portrait of Elizabeth I by William Scrots and aligns closely with contemporary descriptions of Anne Boleyn, whereas RCIN 912189 conflicts with eyewitness accounts. Validation across Tudor kinship networks shows the method distinguishes documented relatives from unrelated courtiers, suggesting computational facial analysis can provide probabilistic support for attribution where traditional evidence remains limited.

npj Heritage ScienceVol. 14(1)
University of Bradford (GB), Oldham Council (GB), Stanford University (US)
Gender equality
Openalex Percentile: Top 13%
Aesthetic Perception and Analysis
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