The <i>maṣnavī</i> of Lutf-un-Nisā ‘Imtiyāz’: mobility, memory, and courtly voice in the late-eighteenth-century Deccan

Abstract Focusing on the late eighteenth-century kulliyat by Lutf un-Nisa ‘Imtiyāz’ (1733?–?), arguably the first published Urdu poetess, this article seeks to explore the mobility—primarily metaphorical rather than physical—of a remarkable woman overlooked in historical accounts dominated by the male gaze. This mobility is enacted through her metaphysical, emotional, and literary navigation of time and space, rather than through geographic movement. Imtiyāz’s maṣnavī , functioning as an autobiography, employs time and space metaphors to offer a counter-archive for early women’s writing, providing a unique perspective into early modern feminine subjectivities. The examination underscores Imtiyāz’s agency in shaping her narrative, intertwining religious intercessions, canonical compositions, and literary sophistication. The metaphoric navigation through space and time illustrates the resilience and creativity of this woman, transcending her geographical and temporal constraints. At its core, Imtiyāz’s maṣnavī stands as a testament to her innovation, interwoven with convention through life-writing, crafting a rich narrative tapestry resonating within and beyond South Asian realms.