Urban Folk and Brass Bands: Pastoral and Urban Nostalgia in Prague

Abstract This article examines how popular musical practices in late nineteenth- and early twentieth-century Prague articulated and shaped Czech nationalist sentiment through intertwined forms of pastoral and urban nostalgia. In a rapidly modernizing city marked by migration, industrialization, and intensifying Czech–German antagonism, pubs, dancehalls and garden restaurants became crucial sites where everyday leisure intersected with the cultural politics of nationalism. These venues, many of which consciously evoked a rural atmosphere through architecture and repertoire, offered urban newcomers a symbolic refuge from the social dislocation of modern life. Here, brass bands and the emergent folk-like genre lidovka , alongside satirical café chantant couplets, became key media through which audiences negotiated the loss of traditional rural worlds and articulated desires for collective belonging.

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Publication Details

Journal
Nineteenth-Century Music Review
Published
2026-03-23
DOI
https://doi.org/10.1017/s1479409826101013
Primary Topic
Music History and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Urban Folk and Brass Bands: Pastoral and Urban Nostalgia in Prague

Jakub Machek, Ondřej Daniel
Nineteenth-Century Music Review
Music History and Culture
article

Urban Folk and Brass Bands: Pastoral and Urban Nostalgia in Prague

Jakub Machek, Ondřej Daniel
article en

Abstract

Abstract This article examines how popular musical practices in late nineteenth- and early twentieth-century Prague articulated and shaped Czech nationalist sentiment through intertwined forms of pastoral and urban nostalgia. In a rapidly modernizing city marked by migration, industrialization, and intensifying Czech–German antagonism, pubs, dancehalls and garden restaurants became crucial sites where everyday leisure intersected with the cultural politics of nationalism. These venues, many of which consciously evoked a rural atmosphere through architecture and repertoire, offered urban newcomers a symbolic refuge from the social dislocation of modern life. Here, brass bands and the emergent folk-like genre lidovka , alongside satirical café chantant couplets, became key media through which audiences negotiated the loss of traditional rural worlds and articulated desires for collective belonging.

Nineteenth-Century Music Review
Metropolitan University Prague (CZ), Charles University (CZ)
Sustainable cities and communities
Openalex Percentile: Top 9%
Music History and Culture
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