I was painted by...: A Case Study on the Use of CNNs for Image Classification in the Humanities

EGRAPHSEN is a case study on image classification in the humanities, specifically on painter attribution on Attic vase paintings. This study aimed to explore the new perspective that artificial intelligence (AI) can offer when studying traditional methods and heterogeneous domains. When we translate the task (painter attribution), we have to consider the idiosyncrasies of the data domain (Attic vase paintings). This is challenging for both, classical archaeologists and computer scientists. In this paper, we address how to approach the challenges in the creation of the dataset. We carefully selected and prepared the data, reflected on potential biases and trained a convolutional neural network (CNN) accordingly. Specifically, we developed sampling criteria to combat the biases and a hierarchical labelling system to segment the images into details. Our model architecture was designed to process sets of images instead of only one individual image, which enables us to experiment with different combinations of image segments. This forms the basis for an analysis framework, which allows us to go beyond mere painter attribution and to explore the ambiguity of image similarity itself.

Authors

Publication Details

Journal
Digital humanities quarterly
Published
2025-09-12
DOI
https://doi.org/10.63744/a8rvhqq9zmzk
Primary Topic
Aesthetic Perception and Analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

I was painted by...: A Case Study on the Use of CNNs for Image Classification in the Humanities

Lukas Brinkmeyer, Lars Schmidt-Thieme, Marta Kipke, Martin Langer
Digital humanities quarterly
Aesthetic Perception and Analysis
article

I was painted by...: A Case Study on the Use of CNNs for Image Classification in the Humanities

Lukas Brinkmeyer, Lars Schmidt-Thieme, Marta Kipke, Martin Langer
article en

Abstract

EGRAPHSEN is a case study on image classification in the humanities, specifically on painter attribution on Attic vase paintings. This study aimed to explore the new perspective that artificial intelligence (AI) can offer when studying traditional methods and heterogeneous domains. When we translate the task (painter attribution), we have to consider the idiosyncrasies of the data domain (Attic vase paintings). This is challenging for both, classical archaeologists and computer scientists. In this paper, we address how to approach the challenges in the creation of the dataset. We carefully selected and prepared the data, reflected on potential biases and trained a convolutional neural network (CNN) accordingly. Specifically, we developed sampling criteria to combat the biases and a hierarchical labelling system to segment the images into details. Our model architecture was designed to process sets of images instead of only one individual image, which enables us to experiment with different combinations of image segments. This forms the basis for an analysis framework, which allows us to go beyond mere painter attribution and to explore the ambiguity of image similarity itself.

Digital humanities quarterlyVol. 19(3)
Openalex Percentile: Top 24%
Aesthetic Perception and Analysis
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