Postfeminist revision and otherworlds in Captain Marvel & the Carol Corps

This article interrogates the limited comics series Captain Marvel & the Carol Corps (2015), part of Marvel’s Secret Wars multiverse event, as a case study in postfeminist representation within superhero comics. The analysis integrates feminist critiques of postfeminist culture with scholarship that examines the superhero comics genre’s specific formal properties and alternate universe settings. The comic exploits generic motifs such as temporal displacement and retro-nostalgic aesthetics to ultimately foster the articulation of superheroic military femininity. The core argument of this article concerns the central tension of the comic: while it appears to criticize patriarchal structures of authoritarian dominance, it also promotes a vision of women’s empowerment that is decidedly depoliticized and, ultimately, militaristic. By analysing the interplay between revisionist narrative strategies, intertextuality and the specific visual and thematic codes of the series, this article demonstrates how the superhero genre’s engagement with alternate realities provides a unique venue for negotiating and performing contemporary feminist discourses.

Authors

Institutions

Publication Details

Journal
Studies in Comics
Published
2025-10-01
DOI
https://doi.org/10.1386/stic_00138_1
Primary Topic
Comics and Graphic Narratives
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Postfeminist revision and otherworlds in Captain Marvel & the Carol Corps

Miriam Kent
Studies in Comics
Comics and Graphic Narratives
article

Postfeminist revision and otherworlds in Captain Marvel & the Carol Corps

Miriam Kent
article en

Abstract

This article interrogates the limited comics series Captain Marvel & the Carol Corps (2015), part of Marvel’s Secret Wars multiverse event, as a case study in postfeminist representation within superhero comics. The analysis integrates feminist critiques of postfeminist culture with scholarship that examines the superhero comics genre’s specific formal properties and alternate universe settings. The comic exploits generic motifs such as temporal displacement and retro-nostalgic aesthetics to ultimately foster the articulation of superheroic military femininity. The core argument of this article concerns the central tension of the comic: while it appears to criticize patriarchal structures of authoritarian dominance, it also promotes a vision of women’s empowerment that is decidedly depoliticized and, ultimately, militaristic. By analysing the interplay between revisionist narrative strategies, intertextuality and the specific visual and thematic codes of the series, this article demonstrates how the superhero genre’s engagement with alternate realities provides a unique venue for negotiating and performing contemporary feminist discourses.

Studies in ComicsVol. 16(2)
University of Leeds (GB)
Gender equality
Openalex Percentile: Top 3%
Comics and Graphic Narratives
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.