Craft, Love, and Loathing: Anthropology of Hair Art in the Twenty-First Century

When hair is cut off and used in art, many people find it disgusting, but when attached, hair is seen as beautiful. Over time, these ideas have changed; in the Victorian Era, people had more tolerance and appreciation for different types of hair art, such as sculptures and accessories. In order to analyze these changes and why hair is seen as repulsive, we must look at theories of disgust and abjection. In addition, we must look at the history of bodily art and the connections it had to death and mourning. The understanding and recognition of abject mediums such as hair art leads to an increased understanding of different art forms and their historical context. Alongside this essay, I simultaneously constructed a hair wreath of my own, as a way to learn and interpret hair art through practice and embodiment.

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Publication Details

Journal
Scholarly Horizons University of Minnesota Morris Undergraduate Journal
Published
2026-03-16
DOI
https://doi.org/10.61366/2576-2176.1177
Primary Topic
Fashion and Cultural Textiles
Type
article
Field-Weighted Citation Impact
0.00
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article

Craft, Love, and Loathing: Anthropology of Hair Art in the Twenty-First Century

Eugene Kauffman
Scholarly Horizons University of Minnesota Morris Undergraduate Journal
Fashion and Cultural Textiles
article

Craft, Love, and Loathing: Anthropology of Hair Art in the Twenty-First Century

Eugene Kauffman
article en

Abstract

When hair is cut off and used in art, many people find it disgusting, but when attached, hair is seen as beautiful. Over time, these ideas have changed; in the Victorian Era, people had more tolerance and appreciation for different types of hair art, such as sculptures and accessories. In order to analyze these changes and why hair is seen as repulsive, we must look at theories of disgust and abjection. In addition, we must look at the history of bodily art and the connections it had to death and mourning. The understanding and recognition of abject mediums such as hair art leads to an increased understanding of different art forms and their historical context. Alongside this essay, I simultaneously constructed a hair wreath of my own, as a way to learn and interpret hair art through practice and embodiment.

Scholarly Horizons University of Minnesota Morris Undergraduate JournalVol. 13(1)
University of Minnesota Morris (US)
Gender equality
Openalex Percentile: Top 15%
Fashion and Cultural Textiles
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