Design in Lanna

This practice-led study develops a design framework for translating Lanna weaving traditions into contemporary textile products through collaborative storytelling and co-design. Working with three weaving communities in Lamphun and Chiang Mai, Thailand, the research combined documentation of weaving practices, narrative workshops to strengthen intellectual capital, and product prototyping in partnership with community artisans and professional designers. The resulting artifacts—garments, accessories, and home products—merged ancestral artistry with contemporary aesthetics, while digital archiving and hybrid dissemination strategies extended their reach. Expert designers and cultural stakeholders provided validation of the outcomes, highlighting the framework’s capacity to sustain intangible heritage through design innovation. By foregrounding practice as a form of knowledge production, the study demonstrates how material experimentation, narrative construction, and community collaboration can jointly generate culturally grounded and market-responsive design outcomes. We argue that this participatory, narrative-driven process offers a portable model for heritage-based design practice in other craft contexts.

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Publication Details

Journal
The International Journal of Visual Design
Published
2026-03-16
DOI
https://doi.org/10.18848/2325-1581/cgp/a167
Primary Topic
Crafts, Textile, and Design
Type
article
Field-Weighted Citation Impact
0.00
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article

Design in Lanna

Sansanee Krajangchom, Pachernwaat Srichai, Korawan Sangkakorn
The International Journal of Visual Design
Crafts, Textile, and Design
article

Design in Lanna

Sansanee Krajangchom, Pachernwaat Srichai, Korawan Sangkakorn
article en

Abstract

This practice-led study develops a design framework for translating Lanna weaving traditions into contemporary textile products through collaborative storytelling and co-design. Working with three weaving communities in Lamphun and Chiang Mai, Thailand, the research combined documentation of weaving practices, narrative workshops to strengthen intellectual capital, and product prototyping in partnership with community artisans and professional designers. The resulting artifacts—garments, accessories, and home products—merged ancestral artistry with contemporary aesthetics, while digital archiving and hybrid dissemination strategies extended their reach. Expert designers and cultural stakeholders provided validation of the outcomes, highlighting the framework’s capacity to sustain intangible heritage through design innovation. By foregrounding practice as a form of knowledge production, the study demonstrates how material experimentation, narrative construction, and community collaboration can jointly generate culturally grounded and market-responsive design outcomes. We argue that this participatory, narrative-driven process offers a portable model for heritage-based design practice in other craft contexts.

The International Journal of Visual Design
Chiang Mai University (TH)
Industry, innovation and infrastructure
Openalex Percentile: Top 16%
Crafts, Textile, and Design
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