Music speaks louder than lyrics: a conceptual priming experiment

The results showed significantly faster responses to target words associated with the music than to those associated with the lyrics of the prime. This effect remained significant even after controlling for various properties of the primes and targets, which had been assessed by an additional 234 participants in complementary studies prior to the priming experiment. We also found a significant interaction between target type (music- vs. lyrics-related) and the Euclidean distance of valence and arousal between the prime and target: affective distance predicted reaction times only for music-derived targets. Ratings from the complementary studies indicated that music evoked more positive and arousing responses than lyrics, while lyrics appeared to dampen the affective intensity of musical excerpts. Our findings challenge the assumption of tight integration between melody and lyrics in song processing. They suggest that music and language contribute unequally to conceptual interpretation in song, with music playing a more dominant role. These results offer new insights into the construction of multi-modal meanings and the cognitive mechanisms underlying song comprehension.

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Publication Details

Journal
Frontiers in Psychology
Published
2026-03-09
DOI
https://doi.org/10.3389/fpsyg.2026.1659797
Primary Topic
Neuroscience and Music Perception
Type
article
Field-Weighted Citation Impact
0.00

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article

Music speaks louder than lyrics: a conceptual priming experiment

Alice Karbanová, Anja-Xiaoxing Cui
Frontiers in Psychology
Neuroscience and Music Perception
article

Music speaks louder than lyrics: a conceptual priming experiment

Alice Karbanová, Anja-Xiaoxing Cui
article en

Abstract

The results showed significantly faster responses to target words associated with the music than to those associated with the lyrics of the prime. This effect remained significant even after controlling for various properties of the primes and targets, which had been assessed by an additional 234 participants in complementary studies prior to the priming experiment. We also found a significant interaction between target type (music- vs. lyrics-related) and the Euclidean distance of valence and arousal between the prime and target: affective distance predicted reaction times only for music-derived targets. Ratings from the complementary studies indicated that music evoked more positive and arousing responses than lyrics, while lyrics appeared to dampen the affective intensity of musical excerpts. Our findings challenge the assumption of tight integration between melody and lyrics in song processing. They suggest that music and language contribute unequally to conceptual interpretation in song, with music playing a more dominant role. These results offer new insights into the construction of multi-modal meanings and the cognitive mechanisms underlying song comprehension.

Frontiers in PsychologyVol. 17
University of Vienna (AT), Masaryk University (CZ), Complexity Science Hub (AT), Department of Cultural Heritage (LT)
Universität Wien, Masarykova Univerzita
Openalex Percentile: Top 32%
Neuroscience and Music Perception
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