To “Every Hater of American Despotism”: Frances Ellen Watkins Harper and Correspondence in the Nineteenth-Century Black Press

Abstract: This essay analyzes Frances Ellen Watkins Harper’s antebellum newspaper correspondence in the abolitionist press. I argue that Harper’s correspondence constituted diverse readerships as members of a print counterpublic responsible for resisting tyranny. By drawing on Gabrielle Foreman’s theory of simultextuality as a textual object capable of signaling multiple audiences at once, this essay contributes to scholarship on nineteenth-century Black journalism by analyzing how Harper turned to the conventions of correspondence to craft transportable texts. Rather than modeling Black subjectivity for readers through individual correspondents’ personas, I argue that Harper’s public letters deemphasized authorial subjectivity, addressing subscribers in multiple discursive registers at once. Ultimately, Harper’s correspondence exhibited a critical form of sentimentalism that intervened in dominant discourses and emphasized the need for readers to respond.

Authors

Publication Details

Journal
J19
Published
2025-12-01
DOI
https://doi.org/10.1353/jnc.2025.a985035
Primary Topic
Literature and Culture Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

To “Every Hater of American Despotism”: Frances Ellen Watkins Harper and Correspondence in the Nineteenth-Century Black Press

Alexandra Burgess
J19
Literature and Culture Studies
article

To “Every Hater of American Despotism”: Frances Ellen Watkins Harper and Correspondence in the Nineteenth-Century Black Press

Alexandra Burgess
article en

Abstract

Abstract: This essay analyzes Frances Ellen Watkins Harper’s antebellum newspaper correspondence in the abolitionist press. I argue that Harper’s correspondence constituted diverse readerships as members of a print counterpublic responsible for resisting tyranny. By drawing on Gabrielle Foreman’s theory of simultextuality as a textual object capable of signaling multiple audiences at once, this essay contributes to scholarship on nineteenth-century Black journalism by analyzing how Harper turned to the conventions of correspondence to craft transportable texts. Rather than modeling Black subjectivity for readers through individual correspondents’ personas, I argue that Harper’s public letters deemphasized authorial subjectivity, addressing subscribers in multiple discursive registers at once. Ultimately, Harper’s correspondence exhibited a critical form of sentimentalism that intervened in dominant discourses and emphasized the need for readers to respond.

J19Vol. 13(2)
Openalex Percentile: Top 5%
Literature and Culture Studies
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