FILOMENA SALAS, CRÍTICA MUSICAL CHILENA DE LA PRIMERA MITAD DEL SIGLO XX: SEMBLANZA DE UNA MUJER INVISIBILIZADA

The history of music criticism is also a history of forgotten women: the persistent and sometimes irreversible erasure of these female figures serves as the motivation for this research on Filomena Salas, a Chilean music critic active during the first half of the twentieth century.She understood her role as that of an authoritative, suggestive, and active voice, who was not only challenged by fellow critics but also by the musical voices of her time.My aim is to portray and understand her various facets: First, Filomena as the mother of