Technologies of Hypnagogia: Altered Perception and Religions in Avant-Garde Electronic Music

One important element of twentieth-century avant-garde composition is the intersection between advances in technology and transformations in religious consciousness and experience. This piece argues that the lineage from John Cage through Pierre Schaeffer, Pauline Oliveros, Alvin Lucier, Eliane Radigue, and William Basinski make for a compelling addition to the study of religion and sound/music.

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Publication Details

Journal
Religions
Published
2026-03-05
DOI
https://doi.org/10.3390/rel17030324
Primary Topic
Musicology and Musical Analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

Technologies of Hypnagogia: Altered Perception and Religions in Avant-Garde Electronic Music

Jason Bivins
Religions
Musicology and Musical Analysis
article

Technologies of Hypnagogia: Altered Perception and Religions in Avant-Garde Electronic Music

Jason Bivins
article en

Abstract

One important element of twentieth-century avant-garde composition is the intersection between advances in technology and transformations in religious consciousness and experience. This piece argues that the lineage from John Cage through Pierre Schaeffer, Pauline Oliveros, Alvin Lucier, Eliane Radigue, and William Basinski make for a compelling addition to the study of religion and sound/music.

ReligionsVol. 17(3)
North Carolina State University (US)
Openalex Percentile: Top 30%
Musicology and Musical Analysis
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