Haptic feedback in violin education as a case study of robotic exoskeleton-mediated motor learning
This study explores the use of an upper-limb wearable exoskeleton for teaching violin technique to novices through haptic-assisted training. The educational potential of this technology was evaluated using a framework that integrated quantitative kinematic metrics and qualitative assessments, comparing a group receiving haptic feedback (N = 12) with a control group that did not (N = 12) in a mixed between-within-subjects design. Results from a double-blind expert panel indicated that participants trained with the exoskeleton outperformed the control group during recall measurements. In addition, spatial and spatiotemporal - but not temporal - kinematic metrics related to bowing technique improved significantly during training, with gains persisting during recall, and these outcomes were supported by self-reported user assessments. However, subtle features of the technology also became apparent, including interference with natural shoulder movements, exposing areas for refinement. In conclusion, this study suggests that haptic-assisted training with an exoskeleton can enhance specific motor skills in violin playing, highlighting promising directions for future research in educational technology and providing a quantitative framework for assessing motor skill development in haptic-assisted learning, which can further support the development and validation of educational technologies. However, given the absence of long-term retention measurements and the limited generalizability associated with the small sample size, the findings of this pilot study should be interpreted with caution.
Authors
- Lorenzo Grazi (ORCID: https://orcid.org/0000-0003-4899-9346)
- Simona Crea
- Emilio Trigili (ORCID: https://orcid.org/0000-0002-3725-5694)
- Alessia Noccaro (ORCID: https://orcid.org/0000-0003-0865-4992)
- Stefano Capitani (ORCID: https://orcid.org/0000-0001-9863-2142)
- N. Vitiello
- Emanuele Peperoni (ORCID: https://orcid.org/0000-0003-4995-6137)
- Nicola Di Stefano (ORCID: https://orcid.org/0000-0002-9286-0395)
- Andrea Parri (ORCID: https://orcid.org/0000-0001-8121-7655)
- Domenico Formica (ORCID: https://orcid.org/0000-0003-0240-1265)
- R. Conti (ORCID: https://orcid.org/0000-0002-3707-5319)
- Canan Gener
- Francesco Di Tommaso (ORCID: https://orcid.org/0000-0003-0086-9075)
- Shalan Alhamwy
- Francesco Giovacchini
- Adriaan Campo
- Marc Leman
- Luca Morelli
Institutions
- HOGENT University of Applied Sciences and Arts (BE)
- Università Campus Bio-Medico (IT)
- Scuola Superiore Sant'Anna (IT)
- Ghent University (BE)
- National Research Council (IT)
- Institute of Cognitive Sciences and Technologies (IT)
- Newcastle University (GB)
Publication Details
- Journal
- Scientific Reports
- Published
- 2026-03-04
- DOI
- https://doi.org/10.1038/s41598-026-39226-8
- Primary Topic
- Musicians’ Health and Performance
- Type
- article
- Field-Weighted Citation Impact
- 0.00
Funders
- Fonds Wetenschappelijk Onderzoek
- Universiteit Gent
- Horizon 2020 Framework Programme