Unifying the gestural and the vocal in the evolution of culture, the arts, and the brain

Cultural evolution in humans is based on the transmission of knowledge and know-how through the process of social learning. Humans have evolved two distinct mechanisms of social learning, although they tend to be discussed in completely separate literatures. They are gestural (or motor) learning and vocal learning. Within the arts, gestural learning is important for the evolution of dance and mime, while vocal learning is important for the evolution of oral literature and vocal music. These two learning systems get jointly recruited to mediate the process of impersonation during theatrical role playing; an actor has to depict both the gestural and vocal features of a portrayed character. An evolutionary synthesis of gestural and vocal learning undergirds the human capacity for culture, including the arts. I discuss potential brain mechanisms for this synthesis in which the neural pathways for the gestural and the vocal may converge.

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Publication Details

Journal
Frontiers in Psychology
Published
2026-03-03
DOI
https://doi.org/10.3389/fpsyg.2026.1706986
Primary Topic
Action Observation and Synchronization
Type
article
Field-Weighted Citation Impact
0.00

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article

Unifying the gestural and the vocal in the evolution of culture, the arts, and the brain

Steven Brown
Frontiers in Psychology
Action Observation and Synchronization
article

Unifying the gestural and the vocal in the evolution of culture, the arts, and the brain

Steven Brown
article en

Abstract

Cultural evolution in humans is based on the transmission of knowledge and know-how through the process of social learning. Humans have evolved two distinct mechanisms of social learning, although they tend to be discussed in completely separate literatures. They are gestural (or motor) learning and vocal learning. Within the arts, gestural learning is important for the evolution of dance and mime, while vocal learning is important for the evolution of oral literature and vocal music. These two learning systems get jointly recruited to mediate the process of impersonation during theatrical role playing; an actor has to depict both the gestural and vocal features of a portrayed character. An evolutionary synthesis of gestural and vocal learning undergirds the human capacity for culture, including the arts. I discuss potential brain mechanisms for this synthesis in which the neural pathways for the gestural and the vocal may converge.

Frontiers in PsychologyVol. 17
McMaster University (CA)
Fudan University, Natural Sciences and Engineering Research Council of Canada
Quality Education
Openalex Percentile: Top 45%
Action Observation and Synchronization
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