The acid attack (1990) on Rembrandt’s The Night Watch (1642). Reassessing the painting’s condition through a multimodal analytical approach

In 1990, Rembrandt’s The Night Watch was attacked with concentrated sulphuric acid. This study reassesses the affected area and aims to identify and characterise any secondary degradation products, as well as any challenges for the conservation treatment. A comprehensive analytical approach, using macroscopic X-ray fluorescence (MA-XRF), macroscopic X-ray powder diffraction (MA-XRPD), optical coherence tomography (OCT), and light microscopy, scanning electron microscopy combined with energy-dispersive X-ray (SEM-EDX) analysis, micro attenuated total reflectance Fourier transform infrared (µ-ATR-FTIR) spectroscopy and synchrotron radiation micro X-ray powder diffraction (SR-µ-XRPD) of three paint cross-sections, permitted the confirmation of anglesite (PbSO4) and extensive lead soap formation in the affected areas. Additionally, mock-ups were prepared and analysed to reconstruct the entire sequence of events of the acid attack. Current estimations predict that some of the damage to the paint layers will become discernible after varnish removal and that local consolidation of the fragile surface might be required.

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Publication Details

Journal
npj Heritage Science
Published
2026-03-02
DOI
https://doi.org/10.1038/s40494-025-02233-5
Primary Topic
Aesthetic Perception and Analysis
Type
article
Field-Weighted Citation Impact
0.00

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article

The acid attack (1990) on Rembrandt’s The Night Watch (1642). Reassessing the painting’s condition through a multimodal analytical approach

Ermanno Avranovich Clerici, Esther van Duijn, Mitra Almasian, Arthur Gestels et al.
npj Heritage Science
Aesthetic Perception and Analysis
article

The acid attack (1990) on Rembrandt’s The Night Watch (1642). Reassessing the painting’s condition through a multimodal analytical approach

Ermanno Avranovich Clerici, Esther van Duijn, Mitra Almasian, Arthur Gestels, Laura Raven, Annelies van Loon, Steven De Meyer, Katrien Keune, Frederik Vanmeert, Victor Gonzalez, Koen Janssens
article en

Abstract

In 1990, Rembrandt’s The Night Watch was attacked with concentrated sulphuric acid. This study reassesses the affected area and aims to identify and characterise any secondary degradation products, as well as any challenges for the conservation treatment. A comprehensive analytical approach, using macroscopic X-ray fluorescence (MA-XRF), macroscopic X-ray powder diffraction (MA-XRPD), optical coherence tomography (OCT), and light microscopy, scanning electron microscopy combined with energy-dispersive X-ray (SEM-EDX) analysis, micro attenuated total reflectance Fourier transform infrared (µ-ATR-FTIR) spectroscopy and synchrotron radiation micro X-ray powder diffraction (SR-µ-XRPD) of three paint cross-sections, permitted the confirmation of anglesite (PbSO4) and extensive lead soap formation in the affected areas. Additionally, mock-ups were prepared and analysed to reconstruct the entire sequence of events of the acid attack. Current estimations predict that some of the damage to the paint layers will become discernible after varnish removal and that local consolidation of the fragile surface might be required.

npj Heritage ScienceVol. 14(1)
Royal Institute for Cultural Heritage (BE), Centre National de la Recherche Scientifique (FR), Rijksmuseum (NL), University of Antwerp (BE), Université Paris-Saclay (FR), Haga Hospital (NL), Amsterdam University Medical Centers (NL), Amsterdam University of Applied Sciences (NL)
European Commission, Fonds Wetenschappelijk Onderzoek, AkzoNobel, Stichting Zabawas, Vlaamse regering, Interreg Vlaanderen-Nederland, American Express Foundation, Interreg
Openalex Percentile: Top 41%
Aesthetic Perception and Analysis
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