Letters from Leibniz

Letters from Leibniz digitally collages 238 handwritten and/or hand-drawn works by Leibniz (1646–1716), the great mathematician, philosopher, lawyer and inventor. Jim Andrews wrote the software used to create the collages: Aleph Null (aleph4.vispo.com). The underlying images are from the Gottfried Wilhelm Leibniz Library in Hanover, used with permission by them. A full slideshow of the underlying images used is available at leibniz.vispo.com as is the full Letters from Leibniz project. A slideshow of the 238 originals can be screened here: https://vispo.com/aleph4/images/jim_andrews/leibniz/slidvid4. The colours are those of aged seventeenth- or eighteenth-century German paper and ink; a restricted palette of skin tones, chocolate, olives and rust, highlighting the relation between the body (corps) and body (text). In media ecological terms, it works within a framework of the McLuhan tetrad/speaking to the enhancement, obsolescence, retrieval and reversal of communicative strategies.

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Publication Details

Journal
Explorations in Media Ecology
Published
2025-12-01
DOI
https://doi.org/10.1386/eme_00275_7
Primary Topic
Cybernetics and Technology in Society
Type
article
Field-Weighted Citation Impact
0.00
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article

Letters from Leibniz

Jim Andrews
Explorations in Media Ecology
Cybernetics and Technology in Society
article

Letters from Leibniz

Jim Andrews
article en

Abstract

Letters from Leibniz digitally collages 238 handwritten and/or hand-drawn works by Leibniz (1646–1716), the great mathematician, philosopher, lawyer and inventor. Jim Andrews wrote the software used to create the collages: Aleph Null (aleph4.vispo.com). The underlying images are from the Gottfried Wilhelm Leibniz Library in Hanover, used with permission by them. A full slideshow of the underlying images used is available at leibniz.vispo.com as is the full Letters from Leibniz project. A slideshow of the 238 originals can be screened here: https://vispo.com/aleph4/images/jim_andrews/leibniz/slidvid4. The colours are those of aged seventeenth- or eighteenth-century German paper and ink; a restricted palette of skin tones, chocolate, olives and rust, highlighting the relation between the body (corps) and body (text). In media ecological terms, it works within a framework of the McLuhan tetrad/speaking to the enhancement, obsolescence, retrieval and reversal of communicative strategies.

Explorations in Media EcologyVol. 24(4)
Independent Dance (GB)
Quality Education
Openalex Percentile: Top 6%
Cybernetics and Technology in Society
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