Concertoni Giulija Meneghinija iz Sonat Opus 1 Giuseppeja Tartinija

This article examines Giulio Meneghini’s reworking of six sonatas from Tartini’s Opus 1 into concertoni for four parts, performable as concerti grossi with soli and tutti. It explores the origins, dating and features of these arrangements, offering insight into the dissemination of Tartini’s music among learned amateurs and its connections to eighteenth-century per­formance practice and aesthetics.