“In”: M. NourbeSe Philip and “Center”

Abstract While M. NourbeSe Philip is often regarded as a black-feminist language poet, her concern about place is equally significant and deserves more critical attention. This essay reads Philip as an Afro-Caribbean poet of place and ponders the geographical implications of her abstract, black-feminism-inspired poetry. Specifically, I focus on her reasoning about “center” and how it engenders formal or verbal matrices in her poems. For Philip, “center” denotes not only the metropole dominating the periphery, but also a place of sufficient being, wholeness, and self-becoming. The second sense of “center” marks the telos of her poetics of place, which, I argue, consists in prevalent and ambiguous uses of the preposition “in” in works like She Tries and Zong!. Center entails an inwardness in response to colonialism-begotten displacement, and Philip’s choreography of “in” affords possibilities for conceptualizing the “placedness” of the Caribbean as well as blackness and black femininity in place.