Design as Event — Discipline-Level Definition

Design as Event establishes design as an event rather than a process unfolding within apre-given temporal container. Design is understood as the constitutive act through whichtime becomes ontologically and aesthetically intelligible for form. The primary unit of designis neither the artefact nor the workflow, but the evental configuration that institutes a legiblepresent—a condition of intelligibility in which coherence, relevance, and unity becomeperceptible. Form is not produced as a terminal outcome nor selected as an image; itstabilizes contingently as a limit through morphogenetic regulation. Time does not operateas measure or duration, but as a constitutive condition organizing continuities, ruptures,repetitions, delays, and thresholds. The virtual is not hypothetical; it is an operativedimension of the real event, a structured reserve of potentials that acts without beingexhausted by a single actualization. New media of simulation do not represent form; theyparticipate in the constitution of the temporal conditions under which form becomesnecessary.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-02-26
DOI
https://doi.org/10.5281/zenodo.18787198
Primary Topic
Architecture and Computational Design
Type
article
Field-Weighted Citation Impact
0.00
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article

Design as Event — Discipline-Level Definition

Theodoros G. kostas
Zenodo (CERN European Organization for Nuclear Research)
Architecture and Computational Design
article

Design as Event — Discipline-Level Definition

Theodoros G. kostas
article en

Abstract

Design as Event establishes design as an event rather than a process unfolding within apre-given temporal container. Design is understood as the constitutive act through whichtime becomes ontologically and aesthetically intelligible for form. The primary unit of designis neither the artefact nor the workflow, but the evental configuration that institutes a legiblepresent—a condition of intelligibility in which coherence, relevance, and unity becomeperceptible. Form is not produced as a terminal outcome nor selected as an image; itstabilizes contingently as a limit through morphogenetic regulation. Time does not operateas measure or duration, but as a constitutive condition organizing continuities, ruptures,repetitions, delays, and thresholds. The virtual is not hypothetical; it is an operativedimension of the real event, a structured reserve of potentials that acts without beingexhausted by a single actualization. New media of simulation do not represent form; theyparticipate in the constitution of the temporal conditions under which form becomesnecessary.

Zenodo (CERN European Organization for Nuclear Research)
National Technical University of Athens (GR)
Openalex Percentile: Top 40%
Architecture and Computational Design
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