Rethinking the “K” of K-pop: How non-Korean K-pop groups negotiate identity between the Korean market and globalized industry
K-pop's globalization has introduced non-Korean idol groups, raising questions about identity negotiation. This study examines Blackswan and EXP Edition , analyzing how they navigate cultural boundaries and industry expectations. Negotiating with Korean audiences demands linguistic proficiency, adherence to the trainee system, and alignment with Neo-Confucian ethics, while global engagement requires flexible language-switching, global pop aesthetics, and character reinvention. While these groups may expand K-pop's reach, they can also reinforce racial and cultural hierarchies. Their negotiation remains constrained by identity discipline and nationalist ideology. This study highlights the complexities of identity negotiation in local and global K-pop. Meanwhile, it offers a conceptual framework for understanding cultural hybridity in K-pop that integrates macro-level policy, meso-level transnational cultural flows, and micro-level fan participation.
Authors
- Zizhong Zhang (ORCID: https://orcid.org/0000-0002-3768-670X)
- Hongyu Zhu (ORCID: https://orcid.org/0009-0000-5993-4666)
- Jingwei Tang
Institutions
- Zhejiang International Studies University (CN)
- Nanyang Technological University (SG)
- Zhejiang University (CN)
- Tsinghua University (CN)
Publication Details
- Journal
- International Journal of Cultural Studies
- Published
- 2026-02-25
- DOI
- https://doi.org/10.1177/13678779261425696
- Primary Topic
- Asian Culture and Media Studies
- Type
- article
- Field-Weighted Citation Impact
- 0.00