ACTIVE or IDLE? A Delphi Study of Teachers’ Perceptions on Using Drama in Mathematics Education

This article examines teachers’ perceptions of using drama as a pedagogical method for teaching mathematics. It documents the experiences of a 5-day workshop in Greece, where 28 teachers from Norway, Greece, Italy, and Portugal, were trained in how to use a set of drama-based educational techniques developed by the Erasmus+ project TIM (Theatre in Mathematics). The aim of this study is to explore teachers' professional perspectives on the potential benefits and limitations of integrating drama into mathematics instruction. By use of the Delphi technique, 13 teachers were surveyed before and after the drama workshop about their pedagogical values, experiences, expectations, and concerns related to drama in mathematics teaching. Through thematic analysis, we identified six categories of perceived benefits (Application, Contextualisation, Teamwork, Inclusion, Variation, and Enjoyment—ACTIVE), and four categories of potential challenges (Indifference and Discomfort, Deficient competence, Limited time and space, and Extraneous Content—IDLE). These findings are discussed using the educational theories of Lev Vygotsky and John Dewey, highlighting how drama-based methods support collaborative, experiential, and inclusive learning processes in mathematics education.

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Publication Details

Journal
Journal of Research in Mathematics Education
Published
2026-02-24
DOI
https://doi.org/10.17583/redimat.18481
Primary Topic
Creative Drama in Education
Type
article
Field-Weighted Citation Impact
0.00

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article

ACTIVE or IDLE? A Delphi Study of Teachers’ Perceptions on Using Drama in Mathematics Education

Mona Røsseland, Ivan Tokheim, Theodoros Paraschou
Journal of Research in Mathematics Education
Creative Drama in Education
article

ACTIVE or IDLE? A Delphi Study of Teachers’ Perceptions on Using Drama in Mathematics Education

Mona Røsseland, Ivan Tokheim, Theodoros Paraschou
article en

Abstract

This article examines teachers’ perceptions of using drama as a pedagogical method for teaching mathematics. It documents the experiences of a 5-day workshop in Greece, where 28 teachers from Norway, Greece, Italy, and Portugal, were trained in how to use a set of drama-based educational techniques developed by the Erasmus+ project TIM (Theatre in Mathematics). The aim of this study is to explore teachers' professional perspectives on the potential benefits and limitations of integrating drama into mathematics instruction. By use of the Delphi technique, 13 teachers were surveyed before and after the drama workshop about their pedagogical values, experiences, expectations, and concerns related to drama in mathematics teaching. Through thematic analysis, we identified six categories of perceived benefits (Application, Contextualisation, Teamwork, Inclusion, Variation, and Enjoyment—ACTIVE), and four categories of potential challenges (Indifference and Discomfort, Deficient competence, Limited time and space, and Extraneous Content—IDLE). These findings are discussed using the educational theories of Lev Vygotsky and John Dewey, highlighting how drama-based methods support collaborative, experiential, and inclusive learning processes in mathematics education.

Journal of Research in Mathematics EducationVol. 15(1)
Western Norway University of Applied Sciences (NO), Experimental Station (US)
Erasmus+
Quality Education
Openalex Percentile: Top 46%
Creative Drama in Education
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