The Japanese version of the barcelona music reward questionnaire (J-BMRQ) confirms the cross-cultural generalizability of the “five-factor” model

The Barcelona Music Reward Questionnaire (BMRQ) is an instrument designed to assess individual differences in music pleasure and reward. While the BMRQ was developed in Spanish and English, it has recently been translated into French and Chinese. A point of debate is whether the five-factor model, initially proposed in the English and Spanish versions of the BMRQ, was consistently replicated in the translated versions. While the French version successfully reproduced the five-factor model, the Chinese version did not, potentially due to cultural variations. In this study, we developed a Japanese version of the BMRQ (J-BMRQ) and tested whether the J-BMRQ could replicate the five-factor model. Data from 1550 Japanese participants were collected and analyzed using the J-BMRQ, and its construct validity and reliability were tested via factor analyses. Our analyses supported the applicability of the five-factor model for the Japanese version of the BMRQ, demonstrating psychometric properties consistent with the original Spanish/English and French versions. Additionally, mirroring the earlier versions, a single-factor solution was informative for computing an overall BMRQ score. This study reinforces the cross-cultural generalizability of the BMRQ and offers a robust tool for future research on musical pleasure and reward in a Japanese context.

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Publication Details

Journal
PLoS ONE
Published
2026-02-24
DOI
https://doi.org/10.1371/journal.pone.0340700
Primary Topic
Neuroscience and Music Perception
Type
article
Field-Weighted Citation Impact
0.00
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article

The Japanese version of the barcelona music reward questionnaire (J-BMRQ) confirms the cross-cultural generalizability of the “five-factor” model

Shiori Honda, Laura Ferreri, Mina Isoda, Yoichi Kitayama et al.
PLoS ONE
Neuroscience and Music Perception
article

The Japanese version of the barcelona music reward questionnaire (J-BMRQ) confirms the cross-cultural generalizability of the “five-factor” model

Shiori Honda, Laura Ferreri, Mina Isoda, Yoichi Kitayama, Urbano Lorenzo-Seva, Patrick E. Savage, Shinya Fujii, Mai Muraki
article en

Abstract

The Barcelona Music Reward Questionnaire (BMRQ) is an instrument designed to assess individual differences in music pleasure and reward. While the BMRQ was developed in Spanish and English, it has recently been translated into French and Chinese. A point of debate is whether the five-factor model, initially proposed in the English and Spanish versions of the BMRQ, was consistently replicated in the translated versions. While the French version successfully reproduced the five-factor model, the Chinese version did not, potentially due to cultural variations. In this study, we developed a Japanese version of the BMRQ (J-BMRQ) and tested whether the J-BMRQ could replicate the five-factor model. Data from 1550 Japanese participants were collected and analyzed using the J-BMRQ, and its construct validity and reliability were tested via factor analyses. Our analyses supported the applicability of the five-factor model for the Japanese version of the BMRQ, demonstrating psychometric properties consistent with the original Spanish/English and French versions. Additionally, mirroring the earlier versions, a single-factor solution was informative for computing an overall BMRQ score. This study reinforces the cross-cultural generalizability of the BMRQ and offers a robust tool for future research on musical pleasure and reward in a Japanese context.

PLoS ONEVol. 21(2)
University of Auckland (NZ), Keio University (JP), Institut d'Investigació Biomédica de Bellvitge (ES), Japan Broadcasting Corporation (Japan) (JP), Duran i Reynals Hospital (ES), Universitat Rovira i Virgili (ES), Universitat de Barcelona (ES)
Openalex Percentile: Top 47%
Neuroscience and Music Perception
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