Not just heard, but judged: a multidimensional perspective on auditory attention in everyday life

This review examines how listeners evaluate sounds in everyday contexts and how auditory attention research has approached this process. While experimental paradigms have yielded important insights into auditory processing, their constructs often rely on task-specific definitions that may not fully reflect how sounds are perceived and interpreted outside the laboratory. We argue that auditory evaluation is shaped by the interaction of acoustic properties, affective tone, task demands, and contextual framing. To account for this, we propose a multidimensional framework based on arousal, valence, and context, which enables a more flexible characterization of how sounds are judged in everyday listening. We also examine how different methodological approaches highlight distinct facets of this evaluative process. By focusing on the conditions under which sounds are experienced, this review contributes to a more integrative understanding of auditory attention across both controlled and naturalistic settings.

Authors

Institutions

Publication Details

Journal
Frontiers in Neuroergonomics
Published
2026-02-23
DOI
https://doi.org/10.3389/fnrgo.2026.1693662
Primary Topic
Neuroscience and Music Perception
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Not just heard, but judged: a multidimensional perspective on auditory attention in everyday life

Silvia Korte, Martin G. Bleichner
Frontiers in Neuroergonomics
Neuroscience and Music Perception
article

Not just heard, but judged: a multidimensional perspective on auditory attention in everyday life

Silvia Korte, Martin G. Bleichner
article en

Abstract

This review examines how listeners evaluate sounds in everyday contexts and how auditory attention research has approached this process. While experimental paradigms have yielded important insights into auditory processing, their constructs often rely on task-specific definitions that may not fully reflect how sounds are perceived and interpreted outside the laboratory. We argue that auditory evaluation is shaped by the interaction of acoustic properties, affective tone, task demands, and contextual framing. To account for this, we propose a multidimensional framework based on arousal, valence, and context, which enables a more flexible characterization of how sounds are judged in everyday listening. We also examine how different methodological approaches highlight distinct facets of this evaluative process. By focusing on the conditions under which sounds are experienced, this review contributes to a more integrative understanding of auditory attention across both controlled and naturalistic settings.

Frontiers in NeuroergonomicsVol. 7
Carl von Ossietzky Universität Oldenburg (DE)
Quality Education
Openalex Percentile: Top 48%
Neuroscience and Music Perception
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.